‘The Music Man’ was the last great goyish musical
Meredith Willson’s 1957 hit isn’t even a little bit Jewish. It marks the last time this was true of a popular musical on the American stage.
Meredith Willson’s 1957 hit isn’t even a little bit Jewish. It marks the last time this was true of a popular musical on the American stage.
On May 6, 1953, Jerome Robbins was front-page news in the Forward for an act that would haunt him for the rest of his life. An above-the-fold headline — published next to an unrelated photo of a handsome young harbor boss named Francis Kelly, who appeared to be wearing lipstick — read “Acclaimed Dancer Gives…
Stephen Sondheim, the lyricist for “West Side Story,” dislikes the movie version of the seminal musical for sticking too closely to the source material. “I don’t think ‘West Side Story’ [is] a good movie at all because it’s not a movie. It’s a photograph of a stage,” the Tony-winning composer said in a 2016 interview…
On May 6, 1953, Jerome Robbins was front-page news in the Forward for an act that would haunt him for the rest of his life. An above-the-fold headline — published next to an unrelated photo of a handsome young harbor boss named Francis Kelly, who appeared to be wearing lipstick — read “Acclaimed Dancer Gives…
You know you are at a gala in New York if most every woman in attendance, yourself included, is wearing black. In another city, on another occasion, the solemn palette might register as funerary. At a gala celebrating the centenary of Leonard Bernstein, composer, conductor and reigning doyen of a certain era of New York…
Few American musicals have won more sustained audience devotion than “West Side Story,” the 1957 brainchild of an all-Jewish creative team. Playwright Arthur Laurents, choreographer Jerome Robbins, composer Leonard Bernstein, and lyricist Stephen Sondheim, collaborated, despite sustained tensions, to produce a musical that has been staged around the world for six decades and inspired an…
If you happened to see some Jets and Sharks dancing in the middle of Times Square last week, rest assured that you were not hallucinating. The flash mob you saw was a group of New York City dancers performing some moves choreographed by Jerome Robbins for “West Side Story.” The flash mob was organized by…
Why does it begin with a shofar call? Once you compare the famous, startling first three notes of Leonard Bernstein’s “West Side Story” score with a real shofar sounding “Tekiah g’dolah,” as I did in 1996 to demonstrate this point on WNYC, the resemblance is undeniable. Once you notice it, this shofar theme is woven…
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NPR Legal Correspondent Nina Totenberg in conversation with Editor-in-Chief Jodi Rudoren. To benefit the Forward.
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