By Zohar Tirosh-Polk
Lawrence Wright, the renowned author and longtime staff member of The New Yorker, seems surprisingly fragile standing alone onstage in New York City’s 3-Legged Dog Art & Technology Center. Considering he is about to take a long, hard look at the history of the Israeli-Palestinian conflict, especially as it pertains to Gaza, one can forgive the jitters.
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By Zohar Tirosh-Polk
Art Spiegelman’s world of powerful drawings and the Pilobolus Dance Theater’s playful style intersect in an unusual collaboration that challenged the Pulitzer Prize-winning author to move out of his downtown studio and his own head.
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By Zohar Tirosh-Polk
Love and its crushing disappointments are at the center of Hanoch Levin’s newly discovered play, “Thrill My Heart,” “
Hartiti et Leebee” in Hebrew, running now at the Cameri Theatre in Tel Aviv. The play, written by Israel’s most renowned playwright, was discovered shortly after Levin’s death in 1999 and caused a stir of excitement and anticipation. The new production at the Cameri is directed by Udi Ben Moshe and features some of Israel’s most gifted actors and Levin regulars: Rami Baruch, Gadi Yagil and Gita Munte.
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By Zohar Tirosh-Polk
In politics, Iranian nuclear power is causing Israel concern, but for more than 20 years, an Iranian-born Israeli pop powerhouse has been causing Israelis nothing but pleasure.
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