A Mélange of Musical May Days
By Benjamin Ivry April 29, 2011
As May rolls around for Manhattan music lovers, ‘tis the season for appreciating the works of George Kleinsinger, whose much-loved orchestral work “Tubby the Tuba” will be performed on April 30 in the Peter Jay Sharp Theater by The Lesbian & Gay Big Apple Corps Symphonic Band.
Kleinsinger wrote “Tubby” in 1941, about the possibly hidden virtues of difference in a world darkened by Fascist uniformity, just as one year later, he would contribute a song, “Queen Esther,” glorifying the heroine who defeated Haman, to a Broadway review about victory over Hitler, entitled “Of V We Sing,” a punning reference to the Gershwin musical hit “Of Thee I Sing.”
More pop music pizzazz may be heard from May 3 to May 5, when the sibling songstresses Liz Callaway and Ann Hampton Callaway perform at Birdland music of the 60s and 70s by Carole King, Carly Simon, and Paul Simon. Opera fans will note that May is hitherto the official Regina Resnik Appreciation Month, for the great Bronx-born mezzo-soprano, 89, has vocal-coached a new production of Verdi’s Falstaff to be performed by The Mannes Opera on May 5 and May 6.
Resnik will also participate at a May 17 Town Hall tribute to the late operatic soprano Joan Sutherland. Smaller-scale music might also be welcome, when on May 7th at Caramoor in Katonah, N.Y., Mendelssohn’s Piano Trio No. 2 is performed by the Benvenue Fortepiano Trio, anchored by violinist Monica Huggett, a devotee of old performance style.
Contemporary panache is available on May 9, when the soulful French-Israeli singer-songwriter Yael Naïm performs with West Indian drummer David Donatien at Le Poisson Rouge. A more raucous evening is promised, also on May 9, when Kinky Friedman, the comic “Jewboy” who defines himself as “author, musician, politician, beautician, and self-proclaimed Governor Of the Heart Of Texas” raises hell at the BB King Blues Club & Grill, as part of a tour.
If repose is needed after Kinky or Yael’s shows, by all means stay home the following day, May 10, to watch Israeli singer Dana International perform on TV at The Eurovision Song Contest 2011, live from Düsseldorf, Germany. Whether Dana International’s song entry, “Ding Dong”, will convince the judges or not remains to be seen.
Classical buffs will want to be at Zankel Hall at Carnegie Hall on May 11, when noted keyboard virtuoso Marc-André Hamelin performs the sonorous “Passacaglia” by Stefan Wolpe. The Berlin-born Wolpe, a composer of rare talent, died in 1972, but still remains to be fully discovered by many New York audiences.
More pensive modern piano music is to be savored on May 11 at Bargemusic, the unique performance space which is moored in Brooklyn under the Brooklyn Bridge, when Olga Vinokur performs a selection from Aaron Jay Kernis’s Before Sleep and Dreams. Also at Bargemusic, on May 28 and May 29, Mahler’s emotive Piano Quartet in A minor will be performed by an ensemble including violinist Mark Peskanov and violist Brett Deubner.
On May 14, the Hungarian Jewish composer György Kurtág’s poignant Hommage à Mihály András, 12 microludes for string quartet will be performed by the Jupiter Quartet at Washington Irving High School. Kurtág’s friend Mihály András was a composer , conductor, and cellist who survived imprisonment in Buchenwald, dying in 1993. Altogether, a magical month of mellifluousness.
Watch the Stenhammar Quartet performing a movement from Kurtág’s 12 Microludes.
Watch the Quarto Quartet performing Mahler’s Piano Quartet.
Watch the Hong Kong Youth Symphonic Band’s 2004 performance of Kleinsinger’s “Tubby the Tuba,” conducted by Pak Wing Heng.
Watch Regina Resnik’s imposing Madame Armfeldt in Sondheim’s “Little Night Music” at the Lincoln Center in 1990.
Or listen to Resnik in the 1950s singing a seductive aria from Saint-Saëns’ “Samson et Dalila”.
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Only 300 more gifts needed by April 30
