Is Broadway ready for dancing girls in the Warsaw ghetto? Can an American musical high kick through the darkest moments of Jewish history and still avoid giving offense, or worse, falling into kitsch?
“The People in the Picture,” a new musical playing at the Roundabout theater until June 19, raises this question, treading where even the now sainted creators of “Fiddler on the Roof” dared not go. Indeed, in his commentary for the anniversary of “Fiddler on the Roof’s” original Broadway cast recording, Sheldon Harnick tells how “Fiddler” almost had dancing girls in a big second act production number. Jerome Robbins even had it choreographed before deciding that the juxtaposition of dancing girls to communal expulsion just wasn’t the show they were writing.
Though the dancing girls in the ghetto are only a brief moment in “The People in the Picture,” as an artistic choice it stands for a show which is neither very funny nor very serious, and ends up falling, unfortunately, on the wrong side of self-parody.