“I tell the truth in “The Insult.” Look, the Palestinians have also committed massacress…nobody dares to talk about it,” says Ziad Doueri.
“The founding fathers of our country, and all of the politicians for many years, always looked at cinema as a stepchild of Israeli culture.”
“Wonder Woman” is the most important superhero of all right now — thanks, in part to Gal Gadot; no thanks to David Edelstein.
Director Joseph Cedar explains his inspiration for “Norman,” which stars Richard Gere as a New York fixer.
‘The Settlers’ is a thrilling, frightening and urgent film. For director Shimon Dotan, it’s about the very future of Israel.
Frustrated with what they see as the Democratic Party’s capitulation to Donald Trump, some activists—including comic Nato Green—have offered Nancy Pelosi a spine.
“The Way to the Spring,” journalist Ben Ehrenreich’s new book is the result of the three years he spent on the West Bank. In an exclusive interview, he discussed how his Jewish heritage impacts his understanding of the Middle East.
Though not Orthodox himself, Israeli filmmaker Avishai Sivan has made several films about the Orthodox. In an exclusive interview, the director of “Tikkun” describes his relationship with the Hasidic community.
Called the “father of African cinema,” Ousmane Sembene had a surprising affinity with Jewish culture. The makers of a new documentary about the filmmaker delve into Sembene’s surprising Jewish history.
Judaism has never been treated so casually as it was on the American small screen in 2014. Sheerly Avni eagerly anticipates the return of the four Jewiest shows.