A.J. Goldmann is a writer based between Munich and Berlin. His articles about European and Jewish culture have appeared in The Wall Street Journal, The New York Times, The Atlantic, The New Republic, and The Guardian.
A.J. Goldmann
By A.J. Goldmann
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News As Berlin Opens Arms to Refugees, Why Are German Jews Silent?
Bolstered by Angela Merkel’s promise that Germany would take in up to 800,000 refugees this year, thousands of Syrians, Iraqis and others fleeing civil war and the violence of the Islamic State group are arriving in this country daily. On the morning of Thursday, September 10, alone, a train with 540 refugees arrived in Berlin…
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Music The Wagner Opera That’s OK for Jews To Love
In 1981, Zubin Mehta sent shockwaves through Israel by leading the country’s premiere orchestra, the Israel Philharmonic, in a concert encore by Richard Wagner. It was the first time since the establishment of the State that the notoriously anti-Semitic composer’s work had been heard live in Israel. Despite the fighting and shouting in the auditorium,…
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Culture Converting to Verdi
The village of Oberammergau might be the least Jewish place on earth. Nestling at the foothills of the Bavarian Alps, the town is synonymous with the Passion play that residents have been putting on since 1637, a theatrical and religious spectacle that for much of history transmitted anti-Jewish prejudice, inciting pogroms and other violent acts…
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Film & TV Your Guide to This Year’s Jerusalem Film Festival
Founded in 1984, the Jerusalem Film Festival is a baby compared to its European counterparts Venice (1932), Cannes (1946), and Berlin (1951). Israel’s second-oldest film festival after Haifa (founded a year earlier) and the fourth oldest in the Middle East after Cairo (1976) and Damascus (1979), the JFF has become increasingly robust, exciting and ambitious…
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Film & TV A Year for Women as Natalie Portman and Amy Winehouse Debut at Cannes
It’s official. After 67 years of presenting the best of testosterone-driven cinema from the world over, the Cannes Film Festival made the discovery that women too can direct. At least, that’s what I take it the New York Times’ Manohla Dargis meant when she irritatingly dubbed this the “Year of la Femme,” in reference to…
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Film & TV A Grim New Woody Allen Film Debuts at Cannes
After the earnest entreaties of Emmanuelle Bercot’s “Standing Tall,” the French social drama about at-risk youth that opened the festival, and the dystopian provocations of Yorgos Lanthimos’ “The Lobster,” the mood at Cannes changed palpably when Woody Allen’s “Irrational Man” unspooled out-of-competition, injecting some adrenalin and existential angst (not to mention star power) into a…
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Film & TV A Jewish ‘Ulysses’ at the Cannes Film Festival
It’s the 68th installment of the world’s most glamorous film festival, and thousands of filmmakers, actors, movie execs, journalists, tourists and adoring fans have descended on this small, surprisingly unremarkable town along the French Riviera, a town whose name is synonymous with cinema. Last Wednesday, the International Jury headed by the American directing duo The…
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Opinion Walking While Jewish in Berlin
In late February, I spent an entire day walking the streets of Berlin, wearing a yarmulke, while a videographer filmed me in secret with a GoPro camera taped to a flap in his rucksack. We were trying to replicate for the British tabloid the Daily Mail the now-famous experiment undertaken in Paris by the Israeli…
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