Editor’s note: On April 30 ‘Hadestown’ was nominated for 14 Tony Awards, the highest number of any eligible Broadway show. Orpheus and Eurydice: You know the story. They fall in love, Eurydice dies, and Orpheus, a musician of astonishing talent, follows her to the underworld, hoping to rescue her. His music so moves Hades, god…
Paris is crammed with sites of Jewish interest. While some are obvious — the shops on the Rue des Rosiers or the Holocaust memorial at Drancy — others come as more of a surprise. The Comédie-Française belongs to this latter group. The nation’s oldest state theater, founded in the 17th century under the aegis of…
Yesterday, during rehearsals for Theater Wit’s production of Joshua Harmon’s “Admissions,” a drama about parents’ bullheaded efforts to get their child into his college of choice, the news broke among the cast and creative team. A wide-ranging sting operation conducted by federal authorities led to the indictment of 50 people —- including the actresses Felicity…
Almost no one wanted to publish Vladimir Nabokov’s “Lolita.” After multiple rejections, the Russian writer finally managed to place the novel at Olympia Press, a publisher with a reputation for accepting borderline pornographic work, in 1955. While many might have applied those terms to “Lolita,” the narrator of which, Humbert Humbert, is a pedophile, Nabokov…
Yiddish musicals never had much of a chance to become part of the Great American Songbook. Like so many Jewish cultural developments, the medium was a victim of assimilation in the United States and tragedy in Europe. The works of the Gershwins and of Rodgers and Hammerstein supplanted Yiddish songs as English became the vernacular…
The musical “Rags” has a complicated history. It premiered on Broadway in 1986, closing after four performances and 18 previews. It’s been rewritten and restructured and revived so many times that, reading a plot synopsis for a previous version after seeing a dress rehearsal of NYU’s new iteration of the show, I barely recognized the…
Pulitzer-winning playwright, director and filmmaker David Mamet is very good at a few things. He reinvented the American theater with his roughneck, elliptical and profanity-laden dialogue. He founded the Atlantic Theater Company with William H. Macy and wrote several controversial but influential books on acting and directing. As a political agitator he stirs the pot…
“This temple is going to the dogs,” said the congregant making her way to a seat, to no one in particular but loudly enough for half the sanctuary to hear. “The nerve of them! Bringing in a Carol Channing impersonator — and for the High Holidays!” What had irked her was the announcement just made…
Colorblind casting, the practice of casting actors of one race in roles traditionally played by another, seems to be a subject of perennial controversy in the world’s highest profile theaters. Last year the grand spectacle musical “Natasha, Pierre and the Great Comet of 1812” based on Tolstoy’s “War And Peace” drew sharp criticism when it…
Tonight marks the opening of LaGuardia High School’s production of “The Sound of Music.” Audiences can expect the rousing score of Richard Rodgers, the inspiring words of Oscar Hammerstein – but if they come looking for historical accuracy, they may leave disappointed. The New York Daily News heard from students at LaGuardia, a New York…
It took a pessimistic girl from New York to make two of the most penetrating satires of sunny California ever committed to film. I speak of course of filmmaker Amy Heckerling, director of 1982’s “Fast Times at Ridgemont High” and 1995’s “Clueless.” In a December 5 profile by The New York Times’ Taffy Brodesser-Akner, Heckerling…
אַמאָל זענען די פּייטנים, מיסטישע דיכטער־וויזיאָנערן, געווען אויבן־אָן בײַ די פֿראַנצויזישע און דײַטשישע ייִדן.
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