The Kennedy Center Honors announced July 18 that it would recognize a member of Yiddish Theater royalty. Michael Tilson Thomas, the longtime music director of the San Francisco Symphony and an 11-time Grammy winner, will receive the prestigious award at a ceremony to be broadcast December 15. Thomas is a veteran maestro, pianist and composer…
It seems like “Fiddler” fever may never break. Hot on the heels of the Folksbiene’s Yiddish production of the Jerry Bock and Sheldon Harnick classic comes a documentary chronicling how the hit musical came to occupy a beloved place in the American songbook — getting there wasn’t easy. In a newly-released trailer for “Fiddler: A…
The Greek realm of the dead had a banner year at the 2019 Tony Awards. If eight wins for Anaïs Mitchell’s “Hadestown,” a folk retelling of the Orpheus and Eurydice myth wasn’t enough, Jez Butterworth’s “The Ferryman,” which alludes to Charon, the famed boatman who carried the dead through the River Styx in its title,…
A folk ballad riff on Greek myth, a family divided by the IRA, a “mad as hell” newscaster and two men who dress in drag for two very different reasons. The most diverse Broadway season in recent memory has made for an eclectic ballot of 2019 Tony nominees. The Tony Award’s announced its nominees April…
I won’t waste any time. “Edelweiss,” the Rodgers and Hammerstein song, penned for their 1959 musical “The Sound of Music,” that played at the White House before a press conference on the day the Mueller report was unsealed, is not a Nazi anthem. In the show and film, it’s sung in a moment of defiance…
Editor’s note: On April 30 ‘Hadestown’ was nominated for 14 Tony Awards, the highest number of any eligible Broadway show. Orpheus and Eurydice: You know the story. They fall in love, Eurydice dies, and Orpheus, a musician of astonishing talent, follows her to the underworld, hoping to rescue her. His music so moves Hades, god…
Paris is crammed with sites of Jewish interest. While some are obvious — the shops on the Rue des Rosiers or the Holocaust memorial at Drancy — others come as more of a surprise. The Comédie-Française belongs to this latter group. The nation’s oldest state theater, founded in the 17th century under the aegis of…
Yesterday, during rehearsals for Theater Wit’s production of Joshua Harmon’s “Admissions,” a drama about parents’ bullheaded efforts to get their child into his college of choice, the news broke among the cast and creative team. A wide-ranging sting operation conducted by federal authorities led to the indictment of 50 people —- including the actresses Felicity…
Almost no one wanted to publish Vladimir Nabokov’s “Lolita.” After multiple rejections, the Russian writer finally managed to place the novel at Olympia Press, a publisher with a reputation for accepting borderline pornographic work, in 1955. While many might have applied those terms to “Lolita,” the narrator of which, Humbert Humbert, is a pedophile, Nabokov…
Yiddish musicals never had much of a chance to become part of the Great American Songbook. Like so many Jewish cultural developments, the medium was a victim of assimilation in the United States and tragedy in Europe. The works of the Gershwins and of Rodgers and Hammerstein supplanted Yiddish songs as English became the vernacular…
The musical “Rags” has a complicated history. It premiered on Broadway in 1986, closing after four performances and 18 previews. It’s been rewritten and restructured and revived so many times that, reading a plot synopsis for a previous version after seeing a dress rehearsal of NYU’s new iteration of the show, I barely recognized the…
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