MAX FERGUSON’S NEW YORK
Max Ferguson is, without a doubt, a New York realist, choosing the city’s sights as his subjects for detailed depiction. An exhibit opens this week at the ACA Galleries that includes several of his recent paintings, including “Wonder Wheel” (2002) and “My Father at Coney Island (Skee Ball)” (2002). Ferguson is well-known for his works focusing on New York Jewish life, both sacred and secular, including “I’ll Have What She’s Having,” a portrait of the counterman at Katz’s Delicatessen, and one of a Lubavitch Torah scribe hard at work. His work is included in the collections of the Metropolitan Museum of Art and the Museum of the City of New York.
As buildings and unofficial landmarks are torn down year after year, his paintings provide the historical memory of the phases of an ever-changing city. Looking at his paintings, it’s hard to believe they aren’t photographs.
ACA Galleries, 529 W. 20th St., fifth floor; April 10-May 10, Tue.-Sat. 10:30 a.m.-6 p.m.; free. (212-206-8080)
Why I became the Forward’s Editor-in-Chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
