Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Make a Passover gift and support Jewish journalism. DONATE NOW
The Schmooze

Admit It: ‘The Spy Who Dumped Me’ Isn’t Selling Because of Sexism

As the kids say: Don’t at me.

“The Spy Who Dumped Me,” an action-comedy released last week, has everything people like in summer movies: Car chases. Big laughs. A-list stars. Shootouts. Poop jokes. Hot girls. Hot guys. European cityscapes. An assassin who does gymnastics. Terrorist plots.

It’s only missing one thing: Male protagonists.

That’s right. “The Spy,” directed by Susanna Fogel, and written by her and David Iverson (both Jews,) is a glorious summer spectacle. It’s preposterously violent, glossy, and funny in a reach-for-your-inhaler kind of way. But it’s pulled in disappointing box office numbers with a slow opening weekend. Reviews are patchy, coming, mysteriously, from critics who seem confused that a summer movie about best friends who get caught up in an international spying escapade might be “predictable” or “silly.”

Friends, Romans (if any of you happen to be reading a Jewish pop culture blog,) and country-people, we know this observation doesn’t look very good on us, but it has to be said: We can’t think of any reason “The Spy Who Dumped Me” is being so poorly received except because of sexism.

We know, we know — being the one to cry “patriarchy” is like being the boy who cried wolf if the world had billions of free-roaming wolves that people had just gotten used to.

We can’t prove people aren’t seeing “The Spy” because of sexism — we don’t have any footage of moviegoers watching the delightful trailer and then saying “I won’t see that because decades of socially enforced misogyny makes an action-comedy anchored by two women, however hot and funny, incongruous with my ideal for entertainment.” But we do wonder why a movie on popular topics starring two A-listers, and co-written by a former SNL writer, would be quite so unappealing to the public.

And no, no review of “The Spy Who Dumped Me” that we read included the words “I judged this more harshly than I would judge other similar movies because I have an ingrained sense that women are inferior and to impress me they will have to do everything better than their male counterparts while being highly sexualized.” We did notice, though, that 88 of the 117 writers whose reviews were combined for the movie’s Rotten Tomatoes score were men. That’s 75% male reviewers writing about a movie made by a woman, starring women, focused in part on female friendship. How interesting that the same group found “Mission Impossible: Fallout,” which has the same cast and creator gender ratio as “Spy” but in reverse, was phenomenal.

We’re not saying movies rise and fall based solely on their creators’ and stars’ genders. We know people see movies for complicated reasons, and we know movies featuring women can be just as bad as anything else. We know “Bridesmaids” was huge. But when are female-anchored movies going to be allowed to be just reasonably good the way male-anchored movies are? Why did reviewers at the New York Times find “The Spy” “silly” but “Mission: Impossible — Fallout,” “an entertainment machine par excellence”?

You should see “The Spy Who Dumped Me” because it’s funny, insanely violent, and absolutely silly.

You should see it because Mila Kunis, our beautiful Jewish alien-baby-face, came all the way from the Ukraine to become one of America’s proudest Jewish celebrities.

You should see it because Kate McKinnon is an international treasure who is probably a lamed vavnick and acts on human agony like specially-engineered sponges act on oil spills.

You should see it because it opens in Vilnius, Lithuania, which might be the home of your ancestors and is having a barn-burner of a week.

You should see it because it was dreamed up and directed by a woman — a Jewish woman.

You should see it because it has a fight scene that takes place on a trapeze.

And you should see it because if we want to see movies made by women and starring women, we need to spend money on them.

Also, it’s damn funny.

Correction, August 10, 3:35PM: An earlier version of this article mistakenly wrote that the city of Vilnius is in Ukraine. It is in Lithuania.

Jenny Singer is the deputy lifestyle editor for the Forward. You can reach her at [email protected] or on Twitter @jeanvaljenny

This is a moment of great uncertainty. Here’s what you can do about it.

We hope you appreciated this article. Before you go, we’d like to ask you to please support the Forward’s independent Jewish news this Passover. All donations are being matched by the Forward Board - up to $100,000.

This is a moment of great uncertainty for the news media, for the Jewish people, and for our sacred democracy. It is a time of confusion and declining trust in public institutions. An era in which we need humans to report facts, conduct investigations that hold power to account, tell stories that matter and share honest discourse on all that divides us.

With no paywall or subscriptions, the Forward is entirely supported by readers like you. Every dollar you give this Passover is invested in the future of the Forward — and telling the American Jewish story fully and fairly.

The Forward doesn’t rely on funding from institutions like governments or your local Jewish federation. There are thousands of readers like you who give us $18 or $36 or $100 each month or year.

Support our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines.
You must comply with the following:

  • Credit the Forward
  • Retain our pixel
  • Preserve our canonical link in Google search
  • Add a noindex tag in Google search

See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.