In her essay, “The Aesthetics of Silence,” Susan Sontag writes that “the artist who creates silence or emptiness must produce something dialectical: a full void, an enriching emptiness, a resonating or eloquent silence.” Though Sontag never mentions the work of Estonian composer Arvo Pärt (of whom she could hardly have been aware at the time),…
Starting today, The Chicago Symphony Orchestra (CSO) will begin a five day performance run one of the all time great “lost works” of music – Igor Stravinsky’s “Chant Funebre” (Funeral Song). The piece, a short orchestral work, was written in 1908 on the occasion of the death of Stravinsky’s mentor Nikolai Rimsky-Korsakov. As the story goes,…
When faced with immense personal grief, we are given to sobbing, to wailing, to screaming – the old categories of expression seem startlingly, absurdly inadequate, and thus we revert to a pre-linguistic stage so that we might give voice to those things that render language so helplessly impotent. But one could just as easily see this…
Daniel Barenboim and Edward Said — one an Israeli classical music superstar, one a prominent Palestinian American academic — made an unlikely pair. Yet the duo found a rich artistic and intellectual ferment in their differences born, Said told NPR’s Scott Simon in a 2002 interview, out of the fact they were “both passionate about…
Virgil Thomson: Music Chronicles 1940-1954 By Virgil Thomson Library of America, 1,200 pages, $45 Kansas City, Missouri-born composer Virgil Thomson is called “America’s greatest composer-critic” in this collection, which addresses the issue of Thomson’s relationship with rival Jewish composers. Brought up in a Southern Baptist family in Missouri, Thomson produced some admirable works such as…
Claude Frank, who died on December 27 at age 89, was one of the last surviving pupils of the legendary Austrian Jewish pianist Artur Schnabel. In a reprint from Music & Arts of Frank’s set of complete Beethoven sonatas, originally released in 1970 for the composer’s bicentenary, the music is allowed to speak directly and…
Any music-lover in the New York area should run, not walk, to Carnegie Hall on December 10. Why? Only the New York premiere of one of the most influential and iconic compositions of the late 20th century: “Requiem” by holocaust survivor György Ligeti, scored for soprano, mezzo-soprano, double chorus and large orchestra. Ligeti was unquestionably…
Everyone knows that the most popular American Christmas songs were written by Jews. But like Leonard Bernstein’s “MASS,” (see my piece on the recent Queens performance here) there’s a long tradition of Jewish musicians involved in Christian-inspired music — and even a few non-Jewish composers who’ve written for the Hebrews. Here are four of the…
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