Unless you live in Toronto, it’s difficult to grasp the cultural, commercial, and Jewish significance of Honest Ed’s. Opened in 1948 by Ed Mirvish — the American-born son of Lithuanian immigrants — the 160,000-square-foot discount emporium has become a kind of landmark for its casino-like exterior, mind-numbing array of goods, and retail showmanship epitomized by…
As someone who has spent a lifetime working in museums, I’ve long been sensitive to the decisions made in the process of selecting or omitting works for display. According to a recent article on Tablet Magazine, and another in The New York Times, The Jewish Museum in New York made the decision to remove “Stelen…
Crossposted from Haaretz A huge, interactive movie screen made by Israeli designer Ron Arad will be the backdrop to films and performances at the Israel Museum in August. The cylindrical installation at the Jerusalem museum is one of dozens of exhibits, events and activities that make up this year’s Jerusalem Season of Culture, which begins…
Crossposted from Haaretz When Kobi Ben Meir was working on the Israel Museum’s new “Good Night” exhibition, he constantly had the song “Layla, Layla” playing in his head. In the end, the curator chose to sing the song on camera, in a hesitant voice and with a very embarrassed expression. It’s now part of the…
Crossposted from Haaretz More than an exhibition, “Iran” is a gag. Most of the works featured and meant to warn of war, are of a kind of intentional, aware subconscious. The problem is that they really are substandard. “Iran” is an annoying exhibition. Usually annoying exhibitions are much more interesting than ordinary fine, tight exhibitions…
“Distorting (a messiah project, 13C),” an installation by artist R. Justin Stewart, is a technically ambitious representation of that most elusive of subjects: the Jewish concept of the Messiah. On view until May 5 at the industrial-chic Invisible Dog Art Center in Brooklyn, the large-scale installation is composed of an elaborate web of blue, green…
In tandem with three New York concerts given by the Berlin Philharmonic in February, New York University’s Deutsches Haus has opened an exhibition of Holocaust survivor David Friedmann’s “Lost Musician Portraits” from the 1920s. These sketches of Berlin Philharmonic members were drawn from life, and captured each of the artists in the act of performing….
Crossposted from Haaretz The name of a new art exhibition opening tonight in Tel Aviv — “Search Engine” — reflects a behavior pattern that has been prevalent since the birth of the Internet. But the works chosen for the “Search Engine” exhibition at the Center for Contemporary Art were actually created in more classical art…
אַפֿילו בײַ אָרטאָדאָקסישע שולן גייען טייל גראַדואַנטן „אַראָפּ פֿון דרך.“ ווי קען מען בײַ זיי אָנהאַלטן דאָס פּינטעלע ייִד?
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