On St. Patrick’s Day, we highlight some of the great collaborations between the Irish and Jewish people.
Irish Repertory Theatre’s adaptation of “The Dead” took us on a rare, transporting journey.
When James Joyce attempted to flee Vichy France during World War II, the Swiss government thought that he was Jewish, like his character Leopold Bloom.
Is it possible that behind every famous Jew stood an Irish partner? On St. Patrick’s Day, we highlight some of the great collaborations between our people and his.
A mysterious TV figure named Adam Kadmon has been making big waves in Italy. He even claims a curious history with Jewish mysticism.
June 16 is Bloomsday, the day when Leopold Bloom, the Jewish-descended protagonist of James Joyce’s novel “Ulysses,” took his quasi-Homeric one-day odyssey through Dublin. It’s the day when Dubliners and Joyce’s fans throughout the world celebrate the legacy of the great Irish novelist, whose protagonist transcends all cultural and temporal borders while remaining both Irish and Jewish.
Ireland is a country that’s revered more for its drinks than it’s food. And for strictly kosher visitors, a trip to the capital city of Dublin may very well require living on Guinness and Jameson alone. But for avid Jewish travelers, who are a bit more flexible with their taste buds, there are several options, including vegetarian spots and a delicious bakery that’s been around since before James Joyce penned “Dubliners”.
“Weimar Cinema, 1919–1933: Daydreams and Nightmares,” running at MoMA until March 7, 2011, is billed as the largest-ever retrospective of German cinema from between the Wars to be shown in the United States. The era’s defining cinematic style, expressionism, is well-represented in dozens of offerings, giving a healthy dose of the atmospheric, disturbing and downright spooky in classics like “The Cabinet of Dr. Caligari,” “M,” “Nosferatu,” “Vampyr” and “Waxworks.”