James Joyce’s ‘The Dead’

Graphic by Angelie Zaslavsky
Imagine walking into a beautiful Fifth Avenue mansion then being transported along with 43 other guests to wintry Dublin in 1904 — to drink sherry and Irish whiskey with a handful of James Joyce’s characters. This was my time travel experience at New York’s American Irish Historical Society where the Irish Repertory Theatre staged an adaptation of Joyce’s “The Dead.” Each scene took place in a different room of the parlor floor of this Victorian mansion, and for the final scene between Gabriel and Gretta Conroy, the audience was invited to the second floor bedroom of the mansion as a snow blower blew white flakes against the glass. At dinner I sat between Mr. Brown and Aunt Julia, and as they slipped in and out of character while talking to me, I ate fluffy pudding and marveled at this perfect evening that gratified all the senses.
Hello, fellow Forward reader! I’m Joel Brown, a Forward reader and supporter for more than 15 years, and currently the chair of the board of directors.
I’m an avid Forward reader because it ticks so many of my essential boxes: excellent journalism, Jewish focus and diverse viewpoints. In today’s political climate, what I most appreciate is the Forward’s independence — made possible by the generosity of its membership.
The Forward is committed to bringing you unbiased, nuanced Jewish news. From my position as board chair, I see an exciting future as we expand our position as the definitive independent voice of contemporary American Judaism.
— Joel Brown, Forward board chair
