At first, I didn’t know how to listen to “The Pirkei Avot Project, Vol. 1.” Taking eight short excerpts from Pirkei Avot, a compendium of rabbinical aphorisms, jazz guitarist Amanda Monaco creates a wise and playful interpretation of some serious material. She uses popular passages, such as Hillel’s saying, “If I am not for me,…
Tzadik Records’ Radical Jewish Culture releases often split the difference between jazz and klezmer. Both genres drag long canonical histories behind them like the train on a wedding dress. Both are easily innovated upon, prone to flights of improvisation, and adept at locating individual musicians in the midst of a vast history. Joel Rubin and…
Photo by Tal Argov September 2011 marks the beginning of a new and promising year in Israeli Jazz. While the Forward has already covered the story of young Israeli jazz prodigy Gadi Lahavi making waves in the international jazz scene, a news item with greater impact for the local Israeli music scene was the launch…
Don’t expect any onstage meltdowns or messy arrests from this Winehouse. Amy’s father Mitch, a former sales consultant who became a London cabbie late in life, is releasing an album of “lovely but forgotten jazz and swing hits,” according to the New York Times. Winehouse pére tells the Times he “taught Amy to sing when…
NICA’S DREAM: THE LIFE AND LEGEND OF THE JAZZ BARONESS David Kastin W. W. Norton, 272 pages, $26.95 Pannonica Rothschild, or “Nica,” as she was called, tried very hard to be an upstanding member of the famous Jewish banking family. She went to the right schools, married the right man (a French baron, no less),…
“Rockets on the Balcony,” Omer Klein’s fourth album and his Tzadik Records debut, is also his first self-consciously Jewish record. In the liner notes, Klein explains that when John Zorn first approached him about the project, he was reluctant to make “calculated evaluations as to what counts as Jewish music and what doesn’t.” But over…
Although they’ve had a number of earlier releases, “Where we come from… Where we’re going,” a challenging CD that is almost equal parts avant-garde jazz and klezmer music, was my introduction to Klezmokum, an Amsterdam-based band (Mokum is the old Jewish name for Amsterdam) led by Burton Greene, a pianist with a long history and…
Crossposted from Haaretz When one is talking about jazz, the word “dissonance” often is heard in reference to avant-garde, cacophonic-sounding music. At the Red Sea Winter Jazz Festival, held over the weekend for the first time (as the new, younger sibling of the veteran Red Sea Jazz Festival, which will celebrate its 25th anniversary in…
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