At the Jewish Museum’s “Becoming Jewish: Warhol’s Liz & Marilyn” exhibit September 24 pre-opening reception a woman looking at Monroe’s conversion document exclaimed: “I knew Elizabeth converted but I didn’t know Marilyn Monroe did too!” For Taylor and Monroe fans this show is a nostalgic treat. Struck by a huge display of 40 movie magazine…
On a spring day in 1956, Rabbi Robert E. Goldburg paid a visit to Marilyn Monroe’s New York City apartment. Before the 30-year-old actress tied the knot with playwright Arthur Miller that summer, she wanted to convert to Judaism. In a neatly typed letter set inside a display case at the Jewish Museum’s new exhibit…
Halfway through my visit to the Jewish Museum, someone thought to turn down the Barbra Streisand. Or maybe I just got used to it. Either way, it was a blessing. For, the sound of Babs belting out the Peter Matz tune “Gotta Move,” from her 1966 CBS TV special, “Color Me Barbra,” threatened to drown…
First I notice each model’s eyebrows. They are fluffy and coiffed into perfect, thick, modern arches as if ripped from this month’s glossy fashion magazines. And then below, eyes with wide-open pupils stare intensely at nothing, as if I don’t exist. I feel my reality challenged. And even more so since the eyes themselves are…
The first things I noticed when standing in front of Nicole Eisenman’s “Seder,” a painting commissioned by the Jewish Museum in 2010 depicting a family Passover gathering, were the hands. Garishly pink and fleshy, they rise from the lower edge of the canvas. They’re cartoonish, really, like something out of the work of Philip Guston,…
Helena Rubinstein reads in her bed in the late 1930s. Copyright Getty Images My first introduction to Helena Rubinstein came in the form of a small, white tube with a red and fuchsia logo that was no bigger than my thumb. It was waterproof mascara, hidden away in my mother’s bathroom drawer. She never actually…
Helena Rubinstein by Paul César Helleu, image via wikicommons Beauty is power and Madame Helena Rubinstein knew just what she was dispensing. Like all enchantments, beauty stirs up passions, its secrets can emancipate or enslave. Like power, beauty can be corrupting or creative; in the hands of an alchemist like Madame, it might even be…
Left: Lee Krasner with Stop and Go, c. 1949 (detail). Photographer unknown. © 2014 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Right: Norman Lewis, n. d. Photographer unknown. From the Willard Gallery Archives. Collection of Kenkeleba House. Art © The Estate of Norman W. Lewis, Courtesy of Iandor Fine Arts, New Jersey…
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