This article originally appeared in the Yiddish Forverts. The longtime editor of the Bundist journal Lebns-Fragn and an Israel-correspondent for the Forverts, Yitzhak Luden z”l, used to say that Yiddish today outside of the Hasidic world is a language mainly spoken at festivals. Soon we’ll be able to say that it’s also spoken on river…
Courtesy of Daniel Kahn We all know people who seem to have been born in the wrong decade — or even in the wrong century. Only very few of them, however, attempting to connect their society with that of another world, stretch across eras, and become giants — artists and thinkers like Sun Ra, Walter…
“The Klezmatics are the Jewish equivalent of arena rock,” ethnomusicologist Bob Cohen deadpans early in Erik Greenberg Anjou’s documentary “The Klezmatics: On Holy Ground.” “They’re not heavy metal; they’re heavy Yiddish.” It’s a bit of tongue-in-cheek analysis calculated to make us chuckle (picture these mild-mannered, middle-aged folks head-banging in eyeliner and platform heels!) — and…
A version of this post appeared in Yiddish here. One hundred years after his birth, the late, great Yiddish novelist and poet Chaim Grade can still draw a crowd. This was evident at an October 4 commemorative evening at the YIVO Institute for Jewish Research, which featured fascinating literary analyses of Grade’s work as well…
On the Yiddish Song of the Week blog, Forverts associate editor Itzik Gottesman writes about “A Sikele, a Kleyne,” as sung by his mother, Beyle Schaechter-Gottesman: “A sikele, a kleyne ” is based on a popular poem by Avrom Reisen called “In suke.‟ I know of at least three recordings: Louis Danto’s “Masters of the…
Michael Winograd is mostly known as a star klezmer clarinetist, as well as for his multi-instrumental work with bands such as Yiddish Princess and Xylopholks. But this October Winograd, together with percussionist Richie Barshay, will don a different hat as the curator of a new acoustic music space in Brooklyn, Ditmas Acoustic. The venue is…
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