“Up From The Stacks” is musical theater, but like no other performance that you may have seen. The show, which originally appeared in 2011 in New York and had its West Coast premiere February 23 at the Jewish Community Center of San Francisco, tells the story of college student Lincoln Cabinée, who has a part-time…
MacDougal Street today can hardly be described as paradise. Crammed with NYU students jostling for falafel, or the bridge-and-tunnel crowd fighting for a seat at Panchito’s, it’s difficult to picture the street as a hub of subversion and artistry. But once upon a time, it was. In the 1920s, a Polish Jewish lesbian immigrant named…
At one point in the musical “Soul Doctor,” an actor says, “There are two types of Jews. Those who have heard of Shlomo Carlebach and those who haven’t — yet.” For either type, “Soul Doctor: The Journey of a Rockstar-Rabbi” can be an enlightening experience. During his lifetime, Carlebach was known as “The Singing Rabbi”…
Coming soon to an arena near you: the Torah! A big-budget adaptation of the Old Testament will tour the United States starting in late 2012 or early 2013, reports entertainment website Deadline Hollywood. The show, simply called “The Bible,” is being helmed by Philip William McKinley, the director who stepped in to save the massively…
Photo by Peter James Zielinski There are times when a trip to the theater is more than just an evening out — times when there’s something in the air (fairy dust? a benevolent ghost?) that transforms a merely great performance into the kind that makes all your hairs stand on end. June 26, for those…
Courtesy lucetg.com/Centaur Theatre In Montreal, not only can a musical about smoked meat be more than a gag, but “Schwartz’s: The Musical” is a $240,000 professional production. That’s around twice the usual cost of a play at the Centaur Theatre, where the show is playing until May 7. Schwartz’s, a “Hebrew Delicatessen” founded in 1928,…
Crossposted From Under the Fig Tree Much has been written of late about the ways in which celebrated American musicals such as “Oklahoma” or “South Pacific” carry considerable Jewish freight. While most audiences come away humming rather than thinking, the American musical, many scholars suggest, is actually where American Jewish playwrights, lyricists, choreographers and designers…
Yesterday I was watching Nightly News with Brian Williams and was surprised to see that Sparky Anderson got a five-minute tribute but Jerry Bock, the beloved composer of “Fiddler on the Roof,” didn’t get a mention. I have a personal stake in this, as I write musicals and often worry about posterity. Mr. Bock leaves…
אין זײַנע „פֿאָרווערטס“־אַרטיקלען האָט ער קריטיקירט זייער צוגאַנג צום חורבן און צו ייִדישקײט.
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