To hear it described, or perhaps even to watch it, the thing can seem uncomfortably like a “Family Guy” fantasy-cutaway parody of a Broadway musical. Consider, especially, its finale: two women, quite literally joined at the hip, belting a tender, plaintive anthem titled “I Will Never Leave You.” There is the pathos, the self-seriousness, the…
The plot of “Bullets over Broadway,” the new musical by Woody Allen (with essential help from director Susan Stroman and music “adaptor” and lyrics tweaker Glen Kelly), is built around an elaborate setup. David Shayne, a Greenwich Village artiste in the vein of Eugene O’Neill, discovers to his astonishment that one of his experimental, symbol-laden…
Somewhere in the universe of critics, a Broadway purist will dismiss “Beautiful: The Carole King Musical” as just another jukebox show. But don’t mention that to Jarrod Spector, 32, who portrays Barry Mann: “A jukebox musical is something like ‘Mamma Mia,’ where you take a bunch of songs and make up a story around them….
Glen Berger wasn’t surprised when the announcement came. He’d had an inkling that “Spiderman: Turn off the Dark” was on the last of its eight legs well before producers made it official. “I was speaking to some of the actors back in August, and the general feeling was that unless a miracle happens we were…
The publication of Alisa Solomon’s “Wonder of Wonders: A Cultural History of Fiddler on the Roof” has seemed to reassert the prominence of “Fiddler” as the Jewish musical to end all Jewish musicals. “Fiddler,” Eileen Reynolds wrote in her review of Solomon’s book, “has achieved something like folklore status in the American imagination, and grapples,…
I’m hesitant to admit that I believe in the concept of bashert, the notion that something was inevitable or orchestrated. But I also think it’s no accident that I’ve landed at this entirely unexpected juncture, where my childhood obsession with theater has joined my adult profession as a writer and fueled the Jewish exploration that…
In a tribute to the late Isaiah Sheffer, who created Symphony Space, a flourishing arts center on the upper West Side, Avi Hoffman produced and starred in a staged concert performance of “The Rise of David Levinksy,” at the Symphony’s Thalia Theater, on Monday Oct 21. Based on the 1917 novel by Abraham Cahan, who…
Sheldon Harnick isn’t going to be 90 until next April, but the celebration of that milestone kicks off October 27. That’s when Brooklyn’s Encompass New Opera Theater honors one of Broadway’s greatest lyricists at its annual gala. The group works with young composers of musical theater and opera. Harnick has been associated with the company…
אין זײַנע „פֿאָרווערטס“־אַרטיקלען האָט ער קריטיקירט זייער צוגאַנג צום חורבן און צו ייִדישקײט.
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