“It is always controversial when someone makes a work about the Holocaust, especially when that person is not Jewish. It can bring up a lot of emotion and anger,” said Jonathan Hollander, director of Battery Dance Company, in an interview with The Arty Semite. This week two dance performances explore the experience of the Holocaust…
In Brenda Angiels’ “8cho” (pronounced “ocho”), the audience is transported to a smoky tango nightclub. The musicians on guitar, piano and accordion provide a steamy, fast-paced rhythm, while Viviana Finkelstein, a petite, blond bombshell, catches the eye of two competing suitors. The romantic drama of the scene looks familiar, but this tango is anything but…
Photo by Gadi Dagon Yaara Moses, like many other little girls growing up in Jerusalem, wore tutus, danced ballet, modern, and of course, Israeli folk dances. When she was 11 years old her mother took her to see Batsheva Dance Company perform Ohad Naharin’s “Anaphaza.” It was an experience that changed her life. “My jaw…
Photo by Julie Lemberger “I am a child of survivors, so I think about the Holocaust every day,” said Carolyn Dorfman at the recent “In the Spirit of Terezín Artists” dance showcase at the 92nd Street Y. “My family’s trauma and triumph comes out in my dances. It is impossible to escape it.” Dorfman’s “Cat’s…
Photo by Franziska Strauss Every morning on her way to dance rehearsal with the Batsheva Dance Ensemble, Andrea Miller would walk along the beach and breath in the cool, saline air. Hatayelet, Tel Aviv’s beach promenade, gave her a perfect view of the surfers. “Surfers understand the world in this perfect way,” said Miller. “They…
“Jewish people were historically a people of the book, reading Torah and studying,” said Noa Wertheim at the recent panel discussion, “The Diaspora of Israeli Dance.” “Now reconnecting with their ancient Mediterranean, working and cultivating the land, they have rediscovered their bodies and it is like an explosion.” The idea that the physicality of Israeli…
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