If you were looking for proof that for a certain portion of liberal American Jews, secularism remains as deeply held a value as support for workers’ rights and an immoderate love for klezmer, you might have found some evidence at the Workmen’s Circle’s 2018 gala, held in Manhattan on December 10. “Cheeseburgers?” a waiter offered…
It’s only a slight exaggeration to say the Klezmatics changed my life. Somehow I made my way to the Knitting Factory nightclub in downtown Manhattan in April 1997 to see the album release concert for the Klezmatics’ album “Possessed.” I was there in part as a music critic of 15 years’ standing, and partly out…
Sebastiano Conca: ‘Alexander the Great in the Temple of Jerusalem’ (1737) / Wikimedia Commons What follows is a Forward editorial in celebration of Hanukkah from back in December 2004, when I was editor. I was rather proud of it then, and I think the message holds up pretty well. Down at the bottom is an…
In the mid 1980s several key figures in the klezmer revival movement had day jobs at the YIVO Institute for Jewish Research. So, perhaps it was only fitting that The Klezmatics were given a lifetime achievement award at YIVO’s Manhattan headquarters November 19. After cocktails and dinner at the Center for Jewish History’s atrium on…
The 23-year-old, New York-based Czechoslovak-American Marionette Theatre has forged more than a few productions that center on Jewish topics — from “Golem” to “The Very Sad Story of Ethel & Julius” to its newest piece, “King Executioner.” The latter, now playing through April 7 at Theater for the New City, explores how the Nazi-afflicted atrocities…
Courtesy of GAT publicity The Klezmatics are 25 this year (where does the time go?), and to mark the anniversary, they’ve released “Live at Town Hall,” a two-disc recording of a performance given in New York five years ago. That concert, itself an exuberant 20th anniversary celebration, was recorded in conjunction with “The Klezmatics: On…
Maybe it was only a matter of time before Socalled, the frizzy-haired, klezmer hip-hop hipster, tried to sidestep his ever-expanding identity as a “Jewish artist.” The arbiters of Jewish cultural identity go to great lengths to rope in the eclectic and the original, and a klezmer hip-hopper is a no-brainer. But no one wants to…
A Monument to Hatuey in Baracoa, Cuba. Photo by Michal Zalewski. A version of this post appeared in Yiddish. In 1931, Yiddish poet, journalist and editor Ascher Penn published “Hatuey,” a 126-page epic poem about a Taíno chieftain who fought against the Spanish invasion of Cuba at the beginning of the 16th century, and who…
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