JEWISH. INDEPENDENT. NONPROFIT.
William Kentridge’s new production of Alban Berg’s atonal opera “Lulu” is sordid, seductive, sadistic, scandalous and, as one of the characters quips in German, full of schmutz. It might be the best new production the Met has seen since Kentridge’s daring 2010 take on Shostakovich’s “The Nose.” “Lulu,” based on “Spring Awakening” author Franz Wedekind’s…
Lately, the modern and contemporary art section of New York’s Metropolitan Museum of Art hasn’t been as quiet as usual. Faint music played at varying speeds can be heard. Partly vocal, partly instrumental, the music sounds vaguely African. The source of the sound is a small, darkened room equipped with megaphones and five video projectors…
James Levine is not the only major return at the Metropolitan Opera this week. Coming back for just seven performances between September 28 and October 26 is one of the Met’s most artistically acclaimed productions in recent years, Shostakovich early, wildly inventive, over-the-top adaptation of Gogol’s classic story, “The Nose.” Picked by every critic as…
Earlier this month, the Rose Art Museum at Brandeis University formally opened its 2010-2011 season with two new exhibits: “Regarding Painting” and “WaterWays.” The museum has been the subject of much negative media controversy over the past few years. Between rumors of its closing and lawsuits over artwork being sold, one of the university’s gems…
