Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
News

NEW YORK

South African-born Jewish dancer Sadie Rigal led a double life during World War II in Paris, performing for German officers at night in music halls and working for the resistance by day. Now 86 and known as Florence Waren, the former dancer’s son, Mark Waren, has made three documentaries based on his mother’s stories about her diverse group of friends and their experiences during the war. The films, collectively titled “Paris Was My Liberation,” are being screened for the first time this month.

The first film, “Romance and Resistance,” follows Gisy Varga, a Hungarian-born nude dancer at the Bal Tabarin Music Hall who has an affair with a Jewish doctor and hides him from the Nazis. The second film, “The Count of Montmarte,” is the survival story of Mario Lembo, a gay Italian aristocrat-turned-performer and member of Josephine Baker’s touring company, whose selfless efforts in supporting the resistance and aiding Jews remained unknown and unrecognized during his lifetime. The third film, “Dancing Lessons,” follows the experiences of the director’s mother, including animated photographs shot by her dance partner, Frederick Apcar, and images of a French prisoner-of-war camp in Germany, along with the mother’s account of her experience at the Caserne Vauban internment camp in Besançon, France. Each screening, which includes interviews, archival film and animated stills, is followed by a panel discussion with the films’ creative team, including Waren and Oscar-winning director of photography Kevin Keating. Following the final screening, the director’s mother and Apcar are to be honored.

City University of New York Graduate Center, 365 Fifth Ave.; Oct. 9, Oct. 16, Oct. 23, 7:30 p.m.; $10, $25 all three. (212-817-8215, [email protected] or www.gc.cuny.edu/index.htm)

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.

Now more than ever, American Jews need independent news they can trust, with reporting driven by truth, not ideology. We serve you, not any ideological agenda.

At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and the protests on college campuses.

Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.