Slideshow: The Sound of Painting
Image by Ronen Shnidman
Painting can be a lot like playing music. Just as a jazz musician riffs on a standard, so too a painter can create a scene on canvas that evokes familiarity but still contains creative flourishes and emotional depth. That’s the notion behind Israeli artist Ishay Rossano’s latest series of paintings, first displayed in a solo exhibition at the Ori Ostreicher Gallery in Tel Aviv last summer.
Rossano, a neo-impressionist painter who has been developing a reputation in Israel and abroad, conveys the commonality of music and painting through the entertaining images of his oil-based works. Over the past few months Rossano’s paintings have gone to auction in both Paris and Tel Aviv, first at Pierre Cardin’s Salon Business Art Espace in October, followed by the Montefiore and Tirosh auction houses in Tel Aviv in November, and at an AIDS victim benefit auction in December organized by Bank HaPoalim.
“My works are an attempt to put into painting something that is part of the internal world that contains the identity of a person. Similar in a way to music, though you cannot capture music on two-dimensional canvas,” Rossano said.
As a visual artist, Rossano places himself in dialogue with the French impressionist painters of the late 19th century. He adopts in his works some of the impressionists’ favored stylistic devices, in addition to more subtle influences from 20th-century modernist movements. Doubled eyes are used as a metaphor for spiritual searching and internal tension, while the dissolution of people and objects into the background creates the impression of a fleeting image moving in time.
Many of Rossano’s recent paintings focus on the use of musical inspiration to reach a sublime, spiritual state. Some of his most powerful paintings include Jewish shtetl musicians in “Celestial Band,” a portrait of famed early 20th-century gypsy jazz musician Django Reinhardt in “The Guitarist,” and Sufi mystics ecstatically dancing in “Whirling Dervishes.” To underline the point, the opening of Rossano’s show in Tel Aviv featured the live music of local gypsy jazz band Swing de Gitanes, who added to the lively atmosphere created by the paintings themselves.
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we need 500 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Our Goal: 500 gifts during our Passover Pledge Drive!
