Simi Horwitz is a feature writer and film reviewer based in New York City. In 2022, she received first place for film criticism from the Society for Feature Journalism, and in 2023, a New York Press Club Award for an Entertainment News feature; and three Los Angeles Press Club Awards, including first place for film criticism — all for pieces published in the Forward.
Simi Horwitz
By Simi Horwitz
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Culture Confronting America’s ugly history of forced sterilization
Peabody and Emmy award-winning documentarian Erika Cohn has been an activist-artist for a long time. Her film “The Judge” detailed the unprecedented experiences of the first woman judge appointed in the Middle East’s Shari’a courts, and “In Football We Trust” she explored the struggles of young Pacific Islander men determined to play professional football. Her…
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Culture Is the organ donation system run by a ‘God Committee’? This writer-director wants us to ask.
When writer-director Austin Stark, 42, heard about a wealthy man in desperate need of a liver transplant bribing a hospital for an organ, he was shocked and appalled — and couldn’t stop thinking about it. “And then I read a powerful play by Mark St. Germain, which explores a very similar situation, and in doing…
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Culture In Hebron, a soldier’s life filled with brutality and boredom
Depending on your point of view, Rona Segal’s short documentary “Mission: Hebron,” is either a hatchet job designed to make Israel look bad or a justifiable indictment of the country’s brutal military presence in Hebron, home to approximately 30,000 Palestinians flanked by an encroaching wave of Jewish settlers — to date an estimated 1,000. Six…
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Culture How a former Anglican monk’s story inspired a gay French-Jewish romance
British writer Aiden Chambers, whose 1982 young adult novel, “Dance on my Grave,” inspired the movie “Summer of ’85,” says he couldn’t be more delighted with the results. Specifically, that Francois Ozon, a French filmmaker, adapted and directed the gay love story. Hollywood would have sentimentalize it while a British director might have turned it…
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Culture In 21st century America, where arranged child marriages remain a scourge
Kate Ryan Brewer’s “Knots: A Forced Marriage Story” is one disturbing, though important, documentary, one that grows increasingly unsettling as three articulate and intelligent young women matter-of-factly recount their belittling, exploitive, and ultimately dehumanizing experiences in forced marriages. Mercifully each has escaped and forged successful, independent lives; one has become a recognized outspoken activist on…
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Culture In the Oscar shorts category, stories of fraught relationships in Israel
This year’s five Oscar-nominated live action shorts are strong, disturbing and concise (the longest is 45 minutes). Among the issues they explore are law and order, immigration and interracial relations. “Two Distant Strangers” examines police brutality and the African-American’s nightmarish anxiety that he will inevitably encounter it. “Feeling Through” explores the unlikely bond between a…
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Culture For this survivor and member of the French Resistance, the scars remain
“Colette,” Anthony Giacchino’s extraordinary Oscar-nominated short documentary, is at once simple, complex, and nuanced. It tells the story of Colette Marin-Catherine, an elegant, stoic 90-year-old woman, member of a French Resistance family, who lost her older brother Jean Pierre in the Nordhausen slave-labor camp, circa 1945. He was 17 or 18 at the time, and…
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Culture Returning to Poland, chasing ghosts and a lost painting
“Still Life in Lodz,” a new documentary by Polish-Jewish director Slawomir Grunberg, centers on a Jewish woman’s return to her childhood home in Lodz, Poland, She, Lilka Elbaum, and her family were forced to flee no, not during the Holocaust, but in the wake of the 1967 Six Day War and a spike in Polish…
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