There is no curtain when you enter the theater for Danai Gurira’s “Familiar” at Playwrights Horizons. And so you get a good look, as you wait for the play to start, at its fully illuminated set, an idealized, cathedral-ceilinged suburban living space with smooth cream walls, dark-wood detailing and a towering bookcase. You know the…
There’s a lesson in Kenneth Lonergan’s new play “Hold On To Me Darling,” which opened on Monday, March 14 at the Atlantic Theater Company. But I kind of doubt it’s the lesson the author intended. Lonergan is one of my favorite playwrights, which isn’t to say that he’s the author of my favorite plays. Like…
For the loudest person in the room, Sacha Baron Cohen took a while to find his public voice. Or voices. From the time we met as 16-year-olds, through our college years and while we lived together, Sacha was always the center of attention and always the funniest person around. But people underestimate his commitment to…
It’s been nearly half a century since George Stevens’s multiple-Oscar-winning 1959 film “The Diary of Anne Frank,” the first and best known of the many film adaptations of “The Diary of a Young Girl,” was released. For many it remains the ultimate cinematic treatment of this classic of Holocaust literature. But that perception might be…
In his 2002 autobiographical novel, “A Tale of Love and Darkness,” the Israeli writer Amos Oz compares the process of remembering his childhood to the task of “trying to restore an ancient ruined building on the basis of seven or eight stones that are still left standing.” More than that: In his attempt to describe…
Despite the record-breaking admissions (over 330,000 tickets sold) for nearly 400 films from 76 different countries, the Berlin Film Festival, which ended Sunday, celebrated its dullest year in a decade. As expected, the Golden Bear went to the timely documentary “Fuocoammare” (“Fire at Sea”) by Gianfranco Rosi. Italy’s second win in four years, “Fuocoammare” would…
In nearly a decade of covering Europe’s largest and busiest film fest, one of the aspects I have come to prize most about the Berlinale is the pride of place it bestows to documentaries. Even with this year’s lukewarm line-up, non-fiction films have made the biggest impact, notably the Italian competition entry “Fuocoammare” (“Fire at…
When the Washington Jewish Film Festival opens, on February 24, one of its most interesting offerings will be a series called “Rated LGBTQ.” It’s a curious title, given that movie ratings are used to help delineate which audiences are appropriate for a given film. On the one hand, it’s an invitation: Individuals who identify on…
To the Coen Brothers, we are all fools. Jut take a look at their characters: There’s the pretentious and deluded playwright Barton Fink in “Barton Fink”; hard-luck schlemiels like Larry Gopnik (“A Serious Man”) and Llewyn Davis (“Inside Llewyn Davis”); and entire casts of nitwits in movies such as “Raising Arizona,” “O Brother Where Art…
With the death last week of Jacques Rivette, a certain idea of French cinema took one step closer to death. Along with François Truffaut, Jean-Luc Godard and Alain Resnais, Rivette was one of the enfants terribles of the so-called Nouvelle Vague, or New Wave. Rebelling against the reign of studios and what they scorned as…
‘I see my tiger robe on television,” my mother says to me on the phone. “What am I watching?” I pause for a split second to think. I’m about 1,300 miles away from her. But I know: “The Birdcage.” My mother chuckles. She’s talking about the scene in the now iconic 1996 comedy where Robin…
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