
Transparent Image by Amazon Studios, Screenshot: Amazon
Jill Soloway’s “Transparent” might be the most perfect example of a liberal, privileged bubble, but it transcends this much-discussed bubble, because every character is profoundly flawed and any hint of smugness is quickly eradicated by humor and pain. 2016’s third season offered so many memorable images and lines, but it’s the opening credits that get me every time. The nostalgic composition (reminiscent of a music box) juxtaposed with home movies of characters of varied femininity and one particularly memorable bar mitzvah boy. It’s a plunge into the most Jewish kaleidoscope of family love and hate and the gorgeous mishegas in between.
Hello, fellow Forward reader! I’m Joel Brown, a Forward reader and supporter for more than 15 years, and currently the chair of the board of directors.
I’m an avid Forward reader because it ticks so many of my essential boxes: excellent journalism, Jewish focus and diverse viewpoints. In today’s political climate, what I most appreciate is the Forward’s independence — made possible by the generosity of its membership.
The Forward is committed to bringing you unbiased, nuanced Jewish news. From my position as board chair, I see an exciting future as we expand our position as the definitive independent voice of contemporary American Judaism.
— Joel Brown, Forward board chair
