Transparent Image by Amazon Studios, Screenshot: Amazon
Jill Soloway’s “Transparent” might be the most perfect example of a liberal, privileged bubble, but it transcends this much-discussed bubble, because every character is profoundly flawed and any hint of smugness is quickly eradicated by humor and pain. 2016’s third season offered so many memorable images and lines, but it’s the opening credits that get me every time. The nostalgic composition (reminiscent of a music box) juxtaposed with home movies of characters of varied femininity and one particularly memorable bar mitzvah boy. It’s a plunge into the most Jewish kaleidoscope of family love and hate and the gorgeous mishegas in between.
Why I became the Forward’s editor-in-chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
— Alyssa Katz, editor-in-chief
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