“Anyone who teaches Hebrew and Yiddish literatures in translation is indebted to Barbara Harshav.”
It is often forgotten that before the existence of film noir, there was literary noir. The genre came to prominence in novels by James Cain, Raymond Chandler and Dashiell Hammett, who wrote “The Maltese Falcon” in 1930. Its origins can be found even further back, in Joseph Conrad’s “The Secret Agent,” from 1907. It is therefore no surprise that someone has finally decided to portray the Israeli-Palestinian conflict through the lens of literary noir. After all, the conflict has been full of hidden motives, personal vendettas, and tragic killings.