JEWISH. INDEPENDENT. NONPROFIT.
An upwardly mobile reporter is about to marry a nice girl and move into advertising, to make more money. A tough-talking cop rants about nonexistent subversives, to boost his own profile. The mayor is more interested in mollifying key constituencies than in fighting for justice. And the powerless cleaning lady keeps getting manhandled. “The Front…
A Broadway revival of the joyously raucous, racy comedy “The Front Page”, about 1920s Chicago newspaper world high jinks, began previews September 20. Written by the American Jewish screenwriter and novelist Ben Hecht (1894–1964) and Charles MacArthur, both former Chicago crime reporters, the play’s gallows humor mocks Jews, African Americans, gay men and lesbians, and…
Since its publication this past summer, Ben Urwand’s book, The Collaboration: Hollywood’s Pact with Hitler, has sparked intense debate. Its claim that Hollywood’s major (Jewish-run) film studios colluded with the government of Nazi Germany to protect their economic interests has elicited angry responses from critics who have objected that the book’s thesis is deceptively sensationalistic…
The David S. Wyman Institute for Holocaust Studies in Philadelphia offers an annual list of The Ten Most Absurd Statements About Allies’ Responses to the Holocaust. The list is a high point in the institute’s unceasing mission to keep the heat on President Franklin D. Roosevelt for having done nothing to stop the Nazi genocide…
Sidney Lumet, the acclaimed director more than 50 films, died April 9 in Manhattan at the age of 86. Best known for taut psychodramas such as “Serpico” (1973), “Dog Day Afternoon” (1975), “Network” (1976) and “The Verdict” (1982), Lumet’s work demonstrated an enduring interest in social realism and the difficulty of obtaining justice, a concern…
