Crossposted From Haaretz Gay soccer fans about to come out of the closet. A mother and her daughter, and their fatal relationship against the backdrop of occupied Poland. Twenty-first-century Poles who must deal with the guilt of World War II, a time when men handed their countrymen over to the Nazis in exchange for nothing…
Crossposted from Haaretz In a normal — not to say ideal — country, discussion of a production of Federico Garcia Lorca’s “The House of Bernarda Alba” would deal with the production’s artistic merits. But we are not living in a normal country, and so before I discuss the artistic values of this production at Tel…
Crossposted from Haaretz There are two excuses to see the play “In Paris,” which is playing this week at Tel Aviv’s Suzanne Dellal Center as part of a world tour. The first is a lovely story by Ivan Bunin about a missed opportunity. A “white” general who is living out his disappointment with life in…
Crossposted from Haaretz I admit that after 40-odd years of theater-going and formulating evaluations of what I have seen and publishing them (which obligates me to form an opinion and makes it hard to evade expressing it), I am not entirely certain what the role of the director is in a theatrical production. This question,…
Crossposted from Haaretz Since 2002 Lodz, an industrial city in western Poland, has been holding a festival called Four Cultures, which packs into a few days in September events from all areas of the arts, including interdisciplinary arts, representing the four major cultures of the inhabitants that make up the city: Polish, German, Russian and…
Crossposted from Haaretz In the final scene of Hanoch Levin’s “The Suitcase Packers,” a comedy with eight funerals now revived at the Cameri, the surviving characters stand around “this cart” pulled by the gravedigger, holding the white-sheeted body of Henya Gerlenter. Her son Elhanan (Dror Keren, who has a Levinesque childish innocence) is possibly the…
Crossposted from Haaretz The recent Europe Theater Prize ceremony in St. Petersburg gave me a chance to meet with Lev Dodin, the director of St. Petersburg’s Maly Theater, who won the prize back in 2000. Israel’s Gesher Theater hosted the Maly recently for their adaptation of Vasily Grossman’s “Life and Fate.” Dodin’s perception of time…
Crossposted from Haaretz The Europe Theatre Prize award ceremony, held 10 days ago in St. Petersburg, Russia, was the most impressive and certainly the most moving out of the five times I’ve had the honor of attending this event. This was due not only to this year’s prize winners and their work, but also the…
100% of profits support our journalism
