Before World War II, Max Fischer, a German journalist and political thinker, inherited a vast assortment of paintings from his parents. He initially thought the Nazi occupation would pass, but it became increasingly harder for him to find work because he was a “non-Aryan,” and his income was dwindling. A month after the Nuremberg Laws…
The first piece you see upon entering the new exhibit at the Museum of Modern Art, “Soldier, Spectre, Shaman: The Figure and the Second World War,” is a bronze sculpture situated alone in a brightly lit recess. In Maria Martins’s 1946 “The Impossible, III,” two cartoonish, squat bronze figures struggle to embrace. Human from the…
It sounds like the beginning of a riddle, or the setup for a logic problem. How to reconcile these two facts: (1) Ileana Sonnabend was not an artist; (2) the Museum of Modern Art is devoting a small but significant show to Ileana Sonnabend and anointing her “ambassador for the new.” Actually, the distance between…
In 1939 Clemens Kalischer was an 18-year-old Jewish refugee from Nazi Germany who was subsisting in Paris, when he somehow scraped together enough francs to purchase a small but potent book — “Paris Vu Par” — containing vital images of the city by the ingenious Hungarian Jewish photographer André Kertész. Kalischer had the volume with…
The heirs of a German-Jewish banker who claim the famous Edvard Munch painting “The Scream” was looted from him by the Nazis want a New York museum to explain its history in its new display. The 1895 work by Edvard Munch is set to go on display Oct. 24 at the Museum of Modern Art…
The great-grandson of the onetime German-Jewish owner of Edvard Munch’s masterpiece “The Scream” is reportedly pushing his family’s claim to the $120 million painting as the Museum of Modern Art prepares to put it on display. Rafael Cardoso, a Brazilian curator and descendant of banker Hugo Simon, says his great grandfather was forced to ditch…
He gave chic new definition, boosted the New York art scene, and went to such brazen lengths as to deliver artwork unrequested to the Museum of Modern Art and simply send a bill. He was known to have commandeered a gondola with his pals to transport art in time to compete in the Venice Biennale….
As part of its epic retrospective of Weimar Cinema, “Daydreams and Nightmares,” New York’s Museum of Modern Art will screen Werner Hochbaum’s 1932 film “Razzia in St. Pauli” on January 29 and February 2, an early German sound film long thought lost. An atmospheric slice-of-life look at the Hamburg underworld of pimps, prostitutes and criminals…
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