Image courtesy of Dragoman Films “Je T’aime, I Love You Terminal,” screening this month at the Detroit Jewish Film Festival, is a cautionary tale about the dangers of indecision — that when we’re faced with two options, choosing neither is often worse than choosing the wrong one. To a lesser extent, the film is about…
There’s something familiar about “Kaddish for a Friend,” the coming of age/unlikely friendship tale screening at this year’s Atlanta Jewish Film Festival. Indeed, Berlin-born director Leo Kashin’s full-length debut reeks of “Karate Kid,” Clint Eastwood’s “Gran Torino,” and any number of movies from the “young fish out of water befriends a crusty old guy from…
“2 night” is a rich, complex film based on two simple premises. The first is the sheer impossibility of finding a parking space in Tel Aviv at 2 a.m. on a weekend. The second is an experiment in dating without pretense: What if, when two people embarked on a relationship, they showed their true colors…
Can a murderer be someone with no literal blood on his hands? Someone who never gave a direct order to kill? In the case of Adolf Eichmann, the Nazi leader who organized the transport of millions of Jews to death camps during the Holocaust, the answer was a resounding, unanimous “yes.” After years in hiding,…
There is exactly one perceptive sentence of dialogue in “Chasing Heaven,” now playing through August 26 at CSV Flamboyan as part of the 15th Annual New York International Fringe Festival. It comes rather late in the proceedings, when the two main characters, in grudging collaboration on a rewrite of a very familiar-sounding piece of iconic…
Underneath its colorful shell of swashbuckling pirate adventures, boyish hi-jinx, and clock-eating crocodiles, Peter Pan’s story is terribly sad. Sure, he gets to play and have fun forever, but by refusing to grow up he loses all of his friends and the girl he loves; he is forced to watch through the window as the…
“Courage is sometimes no more than an outburst of great despair.” Early on, when our hero and narrator delivers the above line, one begins to suspect that “Mary Lou,” the infectious, surprisingly rich new musical drama from Israeli director Eytan Fox, has more to offer than sugary pop escapism, though it is generous on that…
The craft of acting, like writing, is a very difficult thing to talk about without sounding like a dallying idiot. Perversely, it’s also one of the hardest topics to stop talking about once you’ve started, since it’s rife with irresolvable quandaries about “intent,” “truth,” and the nature of Little Red Riding Hood’s relationship with her…
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