By Keith Meatto
On the new record by the Israeli quintet
Fogel and the Sheriffs, Jesus packs a gun, the Pope is a woman, and the Second Coming occurs in the bedroom. One song calls the Holocaust a “soiree”; another orders a Muslim woman to “put on a burka, baby” to hide her body, from her head to her clitoris. Long before the album’s final song declares, “I was crucified inside my mama’s womb,” the point is clear: nothing is too sacred to satire.
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By Keith Meatto
If you’re a singer-songwriter, it’s difficult to imagine having a father-in-law more intimidating than Bob Dylan. But Peter Himmelman hasn’t let his marriage to Dylan’s daughter stop him from making music. Over three decades as a journeyman, Himmelman has recorded 18 albums, including five for kids, and scored soundtracks for film and television shows such as “Bones.” And if Dylan’s relationship to Judaism is ambiguous at best, Himmelman identifies himself as “the first highly recognized Observant Jew since Sandy Koufax.”
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By Keith Meatto
Back in 1997, “Buena Vista Social Club” introduced American audiences to a style of Cuban music that was popular in Havana in the 1950s. The album charmed the critics, topped the charts, spawned a documentary film, and was championed by Starbucks when the coffee behemoth decided to become a curator of world music.
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By Keith Meatto
As their name implies,
Slavic Soul Party! updates traditional Eastern European sounds with a festive, contemporary feel. Their instrumental music conjures carnivals and circuses, pep bands and klezmer bands, James Brown and James Bond. Brooklyn music aficionados may know Slavic Soul Party! from their weekly Tuesday gigs at
Barbès; uptowners may have caught them at Carnegie Hall. Like Johnny Cash and B.B. King, the band also plays prisons, with a show on November 19 at Sing Sing Correctional Facility and October 5 at Rikers Island.
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