Aimee Rubensteen
By Aimee Rubensteen
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Art The Jewish Community Still Discriminates Against Bastards. These Artists Are Demanding Change.
Inside a small room in Jerusalem, four artists are taking on one of the most deep-rooted taboos in Judaism: That of the mamzer, the illegitimate child. A mamzer is someone born as the result of a sexual relationship forbidden in the Torah. Translated in English as “misbegotten” (according to the JPS Tanakh, but also commonly…
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The Schmooze Will People of the Book Become People of the iPad?
Reinier Gerritsen, ‘Hundred Years of Solitude,’ 2014 Glued to multiple gadgets and a perpetual news cycle, the 21st-century reader has challenged authors to write books that trump text messages. It’s no easy feat to find such a book, and then, to read it in its printed form. Fortunately, however, the New York City subway seems…
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The Schmooze The Best 5 Jewish Art Exhibits of 2014
1. “Dani Gal: As From Afar,” The Jewish Museum In its United States premiere, Dani Gal’s short video installation addresses the relationship between a Jewish Holocaust survivor/ Nazi hunter and Hitler’s chief architect/armaments minister. This fictionalized story draws from real-life conversations found in letters between the two men. The show compels the viewer to choose…
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The Schmooze 5 Israeli Artworks You Should Have Seen in 2014
1. Omer Fast, The Casting Omer Fast’s video installation “The Casting” questions the reality and fiction embedded in storytelling by recording an actor who plays the role of an American soldier in Iraq, and a casting for the role of the aforementioned soldier. Even with its abrupt, fragmented scenes that parallel the short attention span…
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The Schmooze Portrait Painting in the Facebook Age
Anya Rubin, ‘Natalia,’ 2014 Red on black on crimson on white. Repeatedly layered color arrangements are typical in the work of Anya Rubin, especially when the Russian-born and New York-based artist is depicting her friend’s wine-stained lips or glittering eyes on a canvas. In this way, Rubin’s paintings produce interlocking patterns of abstract color studies…
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The Schmooze How Lee Krasner and Norman Lewis Got Past Race and Gender
Left: Lee Krasner with Stop and Go, c. 1949 (detail). Photographer unknown. © 2014 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Right: Norman Lewis, n. d. Photographer unknown. From the Willard Gallery Archives. Collection of Kenkeleba House. Art © The Estate of Norman W. Lewis, Courtesy of Iandor Fine Arts, New Jersey…
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The Schmooze An Israeli Artist’s Abandoned Spaces
Naomi Safran-Hon, ‘Wadi Salib: Living Room with 4 Windows,’ 2013 Art is a language of its own, and Naomi Safran-Hon is redefining its words. “Hard Times: Paintings,” is a small solo exhibition of the Israeli artist’s most recent work currently on display at Slag Gallery in Brooklyn. The gallery explores the evolution of mediums (Slag…
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