‘Mean Girls,’ ‘SpongeBob SquarePants,’ ‘Angels In America’ Lead Tony Nominations
April 8, 2018: Tina Fey joins the cast of ‘Mean Girls’ at the musical’s opening night on Broadway. Image by Noam Galai/Getty Images
By Talya Zax May 1, 2018
After a particularly boring season on Broadway, there are few surprises among this season’s nominees for the Tony Awards. “SpongeBob SquarePants” and “Mean Girls” predictably mopped up nominations, scoring 12 apiece in a season in which new musicals were scarce. Equally predictably, “Escape to Margaritaville,” the Jimmy Buffet musical, won no Tony love; somewhat more unexpected was that the big-budget Disney blowout “Frozen” came away with a scarce three nominations. The season’s critical favorite, “The Band’s Visit,” swept up a neat 11 nominations.
Things were only slightly more interesting on the non-musical side of things, primarily because Amy Schumer scored a nomination for Best Leading Actress in a Play for her work in Steve Martin’s “Meteor Shower,” which went otherwise unnoticed. “Angels in America” and “Harry Potter and the Cursed Child,” both British imports, performed well in the nomination categories for plays; the former scored 11 nominations, making it the most-nominated play in Tony history, and the latter 10. When it comes to the big prizes, Best Play and Best Revival of a Play, the two will compete in different categories, as “Angels in America” has previously appeared on Broadway.
Critics agreed that the most interesting category in this year’s awards is that of Best Revival for a Play, for which Kenneth Lonergan’s “Lobby Hero,” Edward Albee’s “Three Tall Women,” Tom Stoppard’s “Travesties” and Eugene O’Neill’s “The Iceman Cometh” are nominated in addition to “Angels in America.” “The category is extraordinarily strong,” wrote Michael Paulson of The New York Times. Sara Holdren, writing for Vulture, commented on “the glut of star-studded revivals that make up the backbone of Broadway.” Given the strength of the season’s revivals compared to the weakness of its new plays, Charles McNulty wrote in the L.A. Times, “the temptation to fudge the best play category is understandable.”
Who will win? Do we care? Tune in for answers — if you must — on June 10, when the Tony’s will air. In the meantime, find a full list of nominees here.
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.
In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.
At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.
Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.
Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly.
— Rachel Fishman Feddersen, Publisher and CEO
Join our mission to tell the Jewish story fully and fairly.
Only 300 more gifts needed by April 30
