It’s official. After 67 years of presenting the best of testosterone-driven cinema from the world over, the Cannes Film Festival made the discovery that women too can direct. At least, that’s what I take it the New York Times’ Manohla Dargis meant when she irritatingly dubbed this the “Year of la Femme,” in reference to…
At the beginning of “Annie Hall,” Woody Allen tells a joke about two old ladies vacationing at a Catskills resort: “Boy, the food at this place is really terrible,” says one. “Yeah, I know,” says the other, “and such small portions.” “Well that’s how I feel about life,” Allen continues. “Full of loneliness and misery…
My name is Max Stein. My world is reduced to a single instinct: Survive. Well, that and find a decent mechanic. Who knew that maintaining a killer muscle car would be such a pain in the tuchus? If you know anyone reliable, please tell me. My current guy is a big overcharger. Also, he is…
After the earnest entreaties of Emmanuelle Bercot’s “Standing Tall,” the French social drama about at-risk youth that opened the festival, and the dystopian provocations of Yorgos Lanthimos’ “The Lobster,” the mood at Cannes changed palpably when Woody Allen’s “Irrational Man” unspooled out-of-competition, injecting some adrenalin and existential angst (not to mention star power) into a…
It’s the 68th installment of the world’s most glamorous film festival, and thousands of filmmakers, actors, movie execs, journalists, tourists and adoring fans have descended on this small, surprisingly unremarkable town along the French Riviera, a town whose name is synonymous with cinema. Last Wednesday, the International Jury headed by the American directing duo The…
It seems like I can’t go a day without reading about how anti-Semitism is on the rise—not just in Europe but also in the U.S. Sadly this is an attitude reflected in our own geek culture — specifically in the anti-Semitism found in X-Men and Marvel movie universe. Let’s start with the X-Men movies. Magneto,…
“Hot Type,” Barbara Kopple’s documentary about The Nation, celebrating the liberal magazine’s 150 years, begins with a snappy rat-a-tat of typing. We see typewriters from every era, signaling the passage through time via technology. As The Nation’s editor in chief for 20 years, Katrina vanden Heuvel, notes in the film, “I used to man the…
Shalom Auslander is not the most upbeat guy in the world. Ask if he’s happy, and his response tells you all you to need to know: “My wife and my kids. I’m afraid of them dying all the time. I can’t hear a siren go by without thinking my house is on fire and everyone…
In London, the British Film Institute — the leading organization for film in the U.K. — is running a two-month season dedicated to the renowned German Jewish filmmaker, Robert Siodmak (1900-73). The centerpiece of this major retrospective of over 20 films is the re-release of “Cry of the City” (1948), a noir crime thriller that…
Iris Apfel will tell you that she doesn’t like pretty. That may seem like a bold statement from a self-proclaimed geriatric starlet. But then again, as the Queens-born daughter of Jewish parents asks, how many 93-year-old cover girls do you know? A model, a jewelry designer, and a collector, Apfel is now the star of…
For a long time, starting just after her fiftieth birthday, Madeline Kahn did something eight times a week that she’d never done even once before: she lit Sabbath candles. As Gorgeous Teitelbaum in Wendy Wasserstein’s “The Sisters Rosensweig” (1992–93), Madeline had to connect with a Jewish heritage about which she knew little. She’d grown up…
