In 1955, just when klezmer was about to end its half-century-long run as a viable commercial and creative outlet for immigrant-era Jewish musicians and a few younger instrumentalists who took up their torch, the great Ukrainian-born clarinetist Dave Tarras recorded one more album at the urging and with the creative guidance of his son-in-law, Sam…
This article originally appeared in the Yiddish Forverts. After four years of scouring Youtube for Yiddish-language videos to feature in the Forverts’ weekly cultural supplement Oneg Shabes, I thought that I had pretty much found them all. Luckily, there are still some treasures out there to be uncovered. Case in point: Rokhl Kafrissen recently posted…
If you’re one Aubrey Graham — known to the masses by the mononym Drake — you may be wondering how you could outdo yourself this year. In January of 2018, after two solid years fueling countless internet memes with “Hotline Bling,” you were nominated for five Grammys and won two. How could your 2019 be…
In his new memoir, “Thanks a Lot, Mr. Kibblewhite: My Story” (Henry Holt) – a horribly titled but entertaining and revealing read — Roger Daltrey gives his version of the story of the rock band, the Who, territory that his bandmate and on-again, off-again friend and collaborator, Pete Townshend, already reviewed in his own chronicle,…
The Weavers, an American folk music quartet, sold millions of records in the late 1940s and early 50s. Its two Jewish performers, Ronnie Gilbert, Fred Hellerman, were joined by two non-Jews, Lee Hays and Pete Seeger. In the 1960s, Bernie Krause, another American Jewish singer, replaced Seeger in the group. Their hits included “Goodnight, Irene”…
Arguably the best banjo player in the world is — wait for it — a Jewish kid from the Upper West Side of Manhattan. His name is Béla Anton Leoš Fleck, and reached by phone at his home in Nashville, he agreed that what may at first seem an unlikely pairing of man and instrument…
Joni Mitchell is widely acclaimed, and rightfully so, for being one of the greatest lyricists and musical visionaries of the rock era: the equal of Bob Dylan and — well, there are no other equals. Mitchell and Dylan share the seemingly paradoxical status of being utter mavericks who have had unparalleled influence over everyone who…
Ever wonder what’s on Barbra Streisand’s mind these days? Well, wonder no more. This past Friday, Streisand released a brand-new album, the aptly titled “Walls,” which kicks off with a new song called “What’s on My Mind.” “What happened to just being kind? That’s what’s on my mind,” Streisand tells us, on one of the…
More like “Tangled Up in Jew.” In an October 31, 2018 piece for the New Yorker music journalist Jeff Slate revealed the early recording history of Bob Dylan’s 1975 album “Blood on the Tracks” and its little known Jewish connections. Slate, who wrote the liner notes for “More Blood, More Tracks,” the latest in Dylan’s…
After the release of “Licensed to Ill” the Beastie Boys’ 1986 debut studio album, the New York-bred hip hoppers had the world at their feet. But with expectations for a follow-up dizzyingly high, the sophomore record, “Paul’s Boutique” was a flop when it came out in 1989. Its reputation has been restored in the years…
Responding to the current debate over immigration policy inside the nearby Beltway, the University of Maryland has declared a Year of Immigration. Part of the yearlong initiative is the University’s first Kurt Weill Festival, which kicked off October 6 with the German-born composer’s 1937 opera-oratorio “The Road of Promise.” “The reason why we’re studying Kurt…
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