Israeli singer says he is tuning out ‘stop the genocide’ chants as he heads into Eurovision final
Noam Bettan said he believes even non-Israelis were moved by semifinal performance
Noam Bettan from Israel celebrates reaching the final of the 70th Eurovision Song Contest in the Stadthalle in Vienna, May 12, 2026. Photo by Jens Büttner/picture alliance via Getty Images
(JTA) — As alternative Eurovision events gathered momentum across Europe in protest of Israel’s participation in the famously schmaltzy singing contest, Israeli candidate Noam Bettan, fresh off the semifinals in Vienna, said he chose to look past chants of “stop the genocide” that marred his performance and focus instead on the “huge wave of love and support,” including from non-Israelis in the crowd and online.
Bettan performed “Michelle” at the Wiener Stadthalle on Tuesday amid audible heckling from protesters, prompting security to remove four people from the arena. Bettan said he registered the noise but quickly turned his attention to the crowd’s support.
“There was booing at the beginning, but a second passed and immediately I felt a huge wave of love and support,” he told the Jewish Telegraphic Agency in a Zoom interview on Wednesday. “It carried me, you know, on stage.”
Alongside the Israelis cheering him on was a sizable group of spectators Bettan said were not Israeli, judging by their faces and by the flags of other countries some were waving. “I felt a lot of love from them and I chose to see this side of this story,” he said.
The European Broadcasting Union, the alliance of public broadcasters that runs Eurovision, allowed Israel to remain in the contest — Europe’s largest live television event — despite months of pressure to bar it over the Gaza war. The decision led to the contest’s biggest boycott yet, with five countries, with Spain, Ireland, the Netherlands, Slovenia and Iceland withdrawing from participation. Nemo, the Swiss singer who won Eurovision in 2024, returned their trophy to the EBU in protest.
The backlash has also produced parallel programming across Europe, including alternative Eurovision events in several countries, including those not officially boycotting the contest, among them Italy, Austria and Germany. The controversy also spilled into Eurovision’s fan spaces, where Israel was initially left out of an official cafe initiative showcasing competing countries through food and music before a local cafe stepped in with falafel and bagels with lox, and, according to AP, security detail outside.
Critics of Israel’s inclusion have accused the EBU of hypocrisy for expelling Russia after its 2022 invasion of Ukraine while allowing Israel to remain. Amnesty International secretary general Agnès Callamard called the decision an “act of cowardice” that serves to “deflect attention from and normalize [Israel’s] ongoing genocide.”
Israel’s President Isaac Herzog said EBU’s decision demonstrated “solidarity, fellowship, and cooperation,” and that the country “deserves to be represented on every stage around the world.”
As was the case in the last two years, pro-Palestinian marches took place outside the venue, with more planned for Saturday’s final, which Israel advanced to alongside nine other qualifying countries.
Barred under EBU rules from commenting directly on the politics around Israel’s participation, Bettan spoke instead about the “crazy” amount of support online, including from people outside Israel and beyond Jewish audiences.
“I get a lot of messages from people all over the world, supporting me personally. I’m honored that I have the privilege to touch other hearts and that’s my main goal here,” he said.
Bettan said he received advice from Israel’s last three Eurovision contestants, Yuval Raphael, Eden Golan and Noa Kirel, who all told him to “make this experience the most memorable possible.”
Raphael, a survivor of the Nova music festival massacre, won the public vote last year but finished second once Eurovision’s national jury scores were added to the audience tally, making her result another flashpoint in the debate over Israel’s place in the contest. The EBU changed this year’s voting rules, reducing the number of votes each viewer can cast from 20 to 10 and adding new limits on promotional campaigns by participating broadcasters.
The New York Times drew on last year’s voting controversy, arguing that Israel had turned Eurovision into a soft-power platform. In an article whose original online headline said Israel had “co-opted” Eurovision before it was later changed, the Times reported that Israel had spent more than $1 million over several years on campaigns that included social media ads urging people to use all their votes to influence the results.
But critics of the charge say it is not only selective — the Times itself noted that other countries have also mobilized diaspora communities to vote — but treats as scandalous what Eurovision was built to do: allow countries to sell a version of themselves through music and national branding.
“When the Times accuses Israel of using Eurovision as a soft-power tool, it is accusing Israel of participating in Eurovision,” Hen Mazzig, a writer and pro-Israel activist, wrote on Substack.
The EBU sent Israel a formal warning over the weekend for sharing promotional videos featuring Bettan in several languages urging viewers to give Israel the maximum 10 votes, saying it was “not in line with our rules nor the spirit of the competition.”
The polyglot from Ra’anana, who was born in Israel to parents from Fance, explained the decision to perform “Michelle” in Hebrew, French and English.
“Half my heart beats in Hebrew and the other half beats in French,” he said. “English gives another color, rhythm and energy. It’s also more international. I can touch more people.”
Bettan, who bookmakers have predicted will come in sixth place, shrugged off concerns about being beaten by rivals in Saturday’s final, saying the atmosphere backstage had been warm throughout and that the other singers were “really, really nice.”
“I’m not worried at all. I’m just really happy to be here,” he said. “I don’t feel like I’m in a competition. I feel like we are in the same experience all together.”
But for all the camaraderie and support from around the world, Bettan said he always kept in mind that he was “singing to my people back home.”
“I know it sounds like a cliche, but it gives me so much strength,” he said.
This article originally appeared on JTA.org.
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