Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.

Support the Forward

Funded by readers like you DonateSubscribe
Nazi-collaborator monuments

Nazi collaborator monuments in Australia

There are hundreds of statues and monuments in the United States and around the world to people who abetted or took part in the murder of Jews and other minorities during the Holocaust. As part of an ongoing investigation, the Forward has, for the first time, documented them in this collection of articles. For an initial guide to each country’s memorials click here. For a 2022 update to the investigation, click here.

Note: the Monuments to Lithuanian collaborators section was added during the April 2022 project update.


Monuments to Croatian collaborators

Melbourne — A bust of Hitler ally Ante Pavelić (1889–1959) in Melbourne’s Croatian House.

Left: Hitler greets Ante Pavelić at the Berghof (Hitler’s vacation home), June 9, 1941 (United States Holocaust Memorial Museum, courtesy of Muzej Revolucije Narodnosti Jugoslavije). Right: Pavelić bust at the Croatian House in Melbourne (Google maps). Image by Forward collage

Pavelić was the leader of the fascist Ustasha regime, which systematically murdered tens of thousands of Jews, Serbs, and Roma, the most infamous killings taking place at the Jasenovac concentration camp.

Above left, Pavelić meets with Hitler June 9, 1941. For a fascinating article on how Croatian fascist supporters came to be in Australia, see Balkan Insight. Below, Ustasha guards confiscate belongings from prisoners entering Jasenovac.

Ustasha guards confiscating prisoner belongings at Jasenovac concentration camp (Wikimedia Commons). Image by Forward collage

For Ustasha monuments in other countries, see the Croatia and Bosnia and Herzegovina sections.


Monuments to Lithuanian collaborators (section added during the April 2022 project update) 

Left: Bronius “Bob” Sredersas, 1940/1945 (Wollongong City Libraries P24149). Right: Sredersas plaque at the Wollongong Art Gallery, Wollongong (Nicholas McLaren). Image by Forward collage

Wollongong, New South Wales – in March 2022, this coastal city was rocked by an extensive Guardian article exposing a beloved local hero as a Lithuanian Nazi collaborator. Bronius “Bob” Sredersas (1910–1982) was a quiet man who had immigrated to Australia from Lithuania after living as a displaced person in Europe; over the years, Sredersas had amassed an impressive art collection which he donated to the city in 1976. The collection allowed Wollongong to establish the public-owned Wollongong Art Gallery, a spectacular cornerstone of the city’s art scene. 

The donation, combined with the story of the unassuming immigrant steelworker who saved his paychecks to quietly collect art, was a sensation. Sredersas was lauded by the city and is celebrated in the gallery, where he has a plaque (above right) as well as a separate exhibit hall named after him.  

Sredersas’ dark past was unearthed due to years of painstaking research by Michael Samaras, a former Wollongong councilman. In his quest, which was aided by the Simon Wiesenthal Center’s Jerusalem branch director and Nazi hunter Efraim Zuroff, Samaras discovered Sredersas had served in the Sicherheitsdienst (SD), the intelligence service of the Nazi Party. 

The SD played a crucial role in the Holocaust, especially the Holocaust by bullets in Eastern Europe. It provided men for the Einsatzgruppen death squads which, together with local collaborators, were responsible for massacring 95–96% of Lithuania’s Jews. Whether Sredersas participated in the Holocaust or other war crimes is unknown; what’s clear is that he served in a key organization which enabled the Third Reich to perpetuate the Holocaust and subjugate conquered lands. 

It must be stressed that Wollongong had accepted Sredersas’ gift in good faith – there’s no indication the city council or the council-run gallery were aware of his past until Samaras approached them in January 2022. However, the council’s initial response to the revelation was to brush it off, telling Samaras the “council does not propose to take any further steps in this matter as [sic] this time,” per the Guardian. 

Shortly after the Guardian exposé, the city changed its position by committing to work with Jewish organizations and museums to investigate the situation. In the meantime, the museum placed a notice in the Sredersas gallery explaining this to the public (below left). Below right, a page from the infamous Jäger Report, a chilling account of the extermination of Jews in Lithuania and elsewhere by Einsatzkommando 3 of Einsatzgruppe A, a Nazi death squad partially composed of SD operatives. 

Thank you to Forward reader Matthew Buckley who brought this story to our attention, Michael Samaras for providing information on Sredersas, and Nicholas McLaren for the plaque photo. See podcast and follow-up coverage by the Guardian and the Australian Broadcasting Company (ABC), a public media outlet. For more honors to Lithuanian collaborators see the Lithuania and U.S. sections. 

Left: A disclaimer put up by the Wollongong Art Gallery at the entrance to a gallery named after Bronius “Bob” Sredersas, Wollongong (Wollongong City Council). Right: A page from the Jäger Report (Bundesarchiv, Bild 183-B0716-0005-007 via Wikimedia Commons). Image by Forward collage

Monuments to Serbian collaborators

 

Dragoljub “Draža” Mihailović statue in front of the Serbian Centre Draža Mihailović, Canberra (Wikimedia Commons). Image by Forward collage

Canberra and Blacktown — A statue of Dragoljub “Draža” Mihailović (1893–1946) in front of a Canberra center named in his honor.

Mihailović’s Chetniks, a Serbian nationalist and Yugoslavian royalist militia, had collaborated with the Nazis and the Nazi puppet government in Serbia. At another point during the war, Mihailović cooperated with the Allies, using his troops to help rescue over 400 American airmen shot down in enemy territory. (Many thanks to Milijana Pavlović for aid in locating Chetnik statues outside Serbia.)

Below is another statue to Mihailović in Blacktown.

Dragoljub “Draža” Mihailović statue in front of the Serbian Orthodox Church of Saint Nicholas, Blacktown (Wikimedia Commons). Image by Forward collage

For more Chetnik monuments, see the Serbia, Bosnia and Herzegovina, U.S. and Canada sections.


Monuments to Ukrainian collaborators

Left: SS Galichina recruitment poster (Wikimedia Commons). Right: SS Galichina memorial at the Ukrainian Catholic Church of Our Lady of Protection, Wayville (Google maps). Image by Forward collage

Wayville, South Australia — This memorial for soldiers who died for Ukraine features the lion and crowns insignia of the 14th Division of the Waffen-SS, also known as SS Galichina. This was a unit in the Waffen-SS, the military wing of the Nazi party, led by Heinrich Himmler, one of the principal architects of the Holocaust. Among the war crimes committed by this unit is the Huta Pieniacka massacre of Polish civilians.

Above left, an SS Galichina recruitment poster with the lion and crowns insignia. It features a quote from Mein Kampf: “Whoever wants to live must fight, and whoever doesn’t want to fight in this world of permanent struggle — he doesn’t deserve the right to live. Adolf Hitler.” Underneath is “SS Galichina is going to battle!”

Today, the use of SS Galichina insignia has become widespread enough to be included as a hate sign identifier for European soccer.

Below left, what is most likely an SS Galichina recruitment march, thought to be in the western Ukrainian city of Stanislaviv (now Ivano-Frankivsk), 1943. Below right, torchlight march in honor of the 73rd anniversary of SS Galichina’s founding, L’viv April 28, 2016. The commemoration two years later involved hundreds giving coordinated Nazi salutes. See JTA report.

Left: SS Galichina recruitment march, most likely in Stanislaviv (now Ivano-Frankivsk), 1943. Right: neo-Nazi march on the 73rd anniversary of SS Galichina’s founding, L’viv, April 28, 2016 (Yuriy Dyachyshyn/AFP via Getty Images). Image by Forward collage

For Ukrainian monuments outside of Australia, see the Ukraine, U.S. and Canada sections, particularly Canada, which saw a 2020 scandal centered around an SS Galichina memorial nearly identical to Wayville’s.

Engage

  • SHARE YOUR FEEDBACK

  • UPCOMING EVENT

    SKY & SCULPTURE

    Hybrid: Online and at the Marlene Meyerson JCC Manhattan

    Oct 2, 2022

    6:30 pm ET · 

    A Sukkah, IMKHA, created by artist Tobi Kahn, for the Marlene Meyerson JCC of Manhattan is an installation consisting of 13 interrelated sculpted painted wooden panels, constituting a single work of art. Join for a panel discussion with Rabbi Joanna Samuels, Chief Executive Director of the Marlene Meyerson JCC of Manhattan, Talya Zax, Innovation Editor of the Forward, and Tobi Kahn, Artist. Moderated by Mattie Kahn.

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.