49 Reasons Why 2016 Wasn't as Bad as You Think
Even an annus horribilis can be redeemed if it contains a new Amos Oz novel. “Judas” was a quiet piece with a small ensemble roaming familiar Jerusalem streets, yet its deceptively simple structure hid multitudes. It wrestled with enormous ideas about love and loneliness, grief and treachery, presented with Oz’s characteristic mix of beauty, compassion,…
Lines and line breaks are poetry’s structural units, in much the same way that timbered planks — and the gaps that must be filled between them — create a ship’s hull. Fittingly, the rapturous poems in Robin Beth Schaer’s “Shipbreaking” are fashioned from taut lines joined by tension. Nautical imagery of wind, waves and wreck…
My top 2016 museum experience meanwhile took place at The Morgan Library and Museum. “Charlotte Brontë: An Independent Will” opened September 9, and will run to January 2, 2017. Timed to celebrate the 200th anniversary of her birth, it is the perfect exhibit for a compulsive reader. I left my husband home and saw it…
I was going to say how much I enjoyed the personal whimsy and occasional profundity of Joseph Skibell’s “My Father’s Guitar,” a collection of autobiographical and stylish stories. But then, the tribes spoke at the ballot box, in the United Kingdom and then in America. The outpouring of (often unacceptable) antipathy towards people outside of…
A dark comedy that is at moments side-splittingly funny, “The Family Fang” zeroes in on the emotionally damaged adult children (Nicole Kidman, Jason Bateman) of two pretentious and talent-free performance artists (Maryann Plunkett and Christopher Walken). Fang Sr. is a manipulative bastard, openly contemptuous of his kids, a novelist and actress, respectively, because they are…
The musical year of 2016 was bookended by dark valedictories: David Bowie’s “Blackstar” and Leonard Cohen’s “You Want It Darker.” Both Bowie and Cohen knew that their ends were near, and both passed on to the next realm just as their last brilliant works were released. Cohen’s final album — in particular its haunting title…
“Swim Through the Darkness” by Mike Stax was easily the most moving and inspiring book I read in 2016. Stax’s biography of Craig Smith — a promising musician and songwriter who took a wrong turn at the dawning of the Age of Aquarius, and fell forever through the cracks of society — is a deeply…
My best time at the movies this year was seeing “On the Map,” an uplifting documentary directed and written by Dani Menkin about how the hard work of the players of its Maccabi Tel Aviv basketball team put Israel on the world map in 1977 by winning the EuroCup. Menkin deftly interweaves archival footage with…
What got me most this year, (pre-election, it must be said) was Beyoncé’s “visual album,” “Lemonade,” which chronicles a deep betraying love but is also about everything: The history of the world, being a black women in America, fathers and daughters, performance, mothers and daughters, American cities and countries and towns, violence. Alchemy. Deep, unapologetic,…
Jill Soloway’s “Transparent” might be the most perfect example of a liberal, privileged bubble, but it transcends this much-discussed bubble, because every character is profoundly flawed and any hint of smugness is quickly eradicated by humor and pain. 2016’s third season offered so many memorable images and lines, but it’s the opening credits that get…
Jenny Diski’s “In Gratitude” resonates as sharply as a slap to the face: Wake up, the book demands. Inspired by the author’s diagnosis of terminal cancer in 2014 (she died in April of this year), it tells a pair of interwoven stories: first, that of Diski’s dying, and then the saga of her teenage years,…
