
Photo Essay“Before The Fall: German And Austrian Art Of The 1930s” At Neue Galerie
Franz Sedlacek” “Landscape with Rainbow,” 1930. Image by Collection and Archive, © University of Applied Arts Vienna
Photo Essay“Before The Fall: German And Austrian Art Of The 1930s” At Neue Galerie
1 / 10 "Self Portrait With Horn" by Max Beckmann (1938)
Photo by 2018 Artists Rights Society
2 / 10 "Self-Portrait In The Camp" by Felix Nussbaum (1940)
Photo by 2018 Artists Rights Society
3 / 10 “Portrait of Johann Edwin Wolfensberger” by Otto Dix (1929)
Photo by 2018 Artists Rights Society
4 / 10 "Two Heads" by Rudolf Wacker
Photo by Belvedere
5 / 10 "Paris Society" by Max Beckmann
Photo by The Solomon R. Guggenheim Foundation/Art Resource
6 / 10
Photo by The Solomon R. Guggenheim Foundation/Art Resource
7 / 10 "Mother and Eva" by Otto Dix
Photo by 2018 Artists Rights Society
8 / 10 "Children Born Blind" by August Sander
Photo by 2018 Die Photographische Sammlung/SK Stiftung Kultur - August Sander Archiv
9 / 10 "Landscape with Rainbow" by Franz Sedlacek (1930)
Photo by University of Applied Arts Vienna
10 / 10 Frontispiece illustration for "Hitler: A German Doom," by A. Paul Weber (1931-32)
Photo by 2018 Artists Rights Society
Why I became the Forward’s Editor-in-Chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
