We all know the answer to the old question, “how do you get to Carnegie Hall?” is to “practice, practice, practice.” But the Israel Chamber Project has also gotten there by cultivating an appreciative New York audience in the four years since the ensemble’s inception. “It’s the right time for a Carnegie Hall debut,” the…
Crossposted from Haaretz Editors at Israel Radio’s Voice of Music have accused the Israel Broadcasting Authority of killing off the classical music station by appointing a person to head the station who has no musical background. The editors posted statements on bulletin boards at its broadcast studios in Tel Aviv and Jerusalem Thursday saying that…
Itzhak spoke to Yitzchok in Hebrew. Hankus spoke to Yitzchok in Yiddish. The conductor made puns in English with a heavy accent that is Australian and South African. And this all happened in the studio where Bruce Springsteen recorded “Born To Run” and Madonna laid down her vocal tracks for “Like a Virgin.” We’re talking,…
Just in time for the High Holy Days, the Metropolitan Opera is bringing back its production of one of the few works of music that helped change history. “Nabucco” (Nebuchadnezzar), a wildly eccentric story inspired by the biblical Lamentations of Jeremiah, was Giuseppe Verdi’s first professional breakthrough, and it helped inspire the Risorgiomento, which ended…
Cellist Alisa Weilerstein was at the Jerusalem International Chamber Music Festival last week when she received an unexpected phone call from the MacArthur Foundation telling her she was a recipient of their 2011 fellowship. The “Genius Award,” as it is called, is a no-strings-attached grant of $500,000, paid out over five years. Weilerstein, 29, is…
One poet called autumn the “season of mists and mellow fruitfulness,” but some New York concerts redolent with Yiddishkeit focus on the pleasant shock of the new, not misty mellowness. On September 16 at The Austrian Cultural Forum, a new arrangement of the Adagio movement from Mahler’s unfinished Tenth symphony will be conducted in two…
“You may find it implausible that we are announcing a world premiere by the venerable (and dead) American composer Aaron Copland,” boasts the press release for saxophonist-composer Christopher Brellochs’s new CD, “Quiet City.” Implausible, yes, and perhaps only half true. The piece in question is the score Copland wrote to accompany an Irwin Shaw play…
She won a prize for piano composition in 1997, at the tender age of five. She won a coveted spot in a book called The World of Women in Classical Music. And last week — at 19 — she passed away. Yes, Ketzel accomplished more than many felines her age. As the New York Times…
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