“There isn’t an after party because I know pretty much everyone here,” composer David Amram announced at the end of his 80th birthday celebration at Symphony Space on November 11. “I figured that with 500 of you, plus your dates, plus the 60-piece orchestra, the rest of the performers and our families, we’d need Madison Square Garden. And it was booked.” He was exaggerating, but not much: The hall was packed with fans and well-wishers, and the concert program listed more musicians than could comfortably fit backstage at any one time — they were told to arrive in shifts.
Before Jack Abramoff was an American super-lobbyist, half-successful restaurateur, and convicted con man, he was a movie producer, known for bankrolling the 1989 Dolph Lundgren actioner “Red Scorpion” (part of Cold War cinema’s deconstructionist, though still violently anti-Soviet phase). It’s appropriate then, that George Hickenlooper’s Abramoff biopic, “Casino Jack,” which premiered last week at the Toronto International Film Festival, should evince such an obvious love of cinema.