Harold Holzer’s having a big year. “Lincoln and the Jews,” a new exhibition he helped assemble, is on through June 7 at the New York Historical Society in Manhattan. His book “Lincoln and the Power of the Press: The War for Public Opinion” (Simon & Schuster) just won the $50,000 Gilder Lehrman Lincoln Prize, awarded…
Sigalit Landau is known for provocative work, like the notorious video piece that showed her spinning a barbed wire hula-hoop, naked. But Landau’s new show might be her saltiest yet. The haunting assemblage of objects in “Snow in Jerusalem,” which runs through April 25 at Toronto’s Olga Korper Gallery, includes a bridal gown, violin, and…
“No man in Whitechapel drives a busier or a more paying trade than does the shadchan,” observed the writer Louise Jordan Miln in 1900. In fact, a ledger belonging to a shadkhen, or matchmaker, is one of the objects on display for the first time in “For Richer For Poorer: Weddings Unveiled,” the latest exhibition…
Samy Elmaghribi was a hugely popular Moroccan-music star. Salomon Amzallag was a beloved Sephardic cantor in Montreal. That the pop star and the liturgical giant were the same person has inspired a new exhibition that opened in Montreal February 25. “Sacre Profane: Samy Elmaghribi” explores the “seemingly opposite” notions of sacred and secular in Elmaghribi’s…
Jonah Kinigstein, ‘Coney Island.’ Courtesy the artist and Society of Illustrators. A certain Jewish weekly rejected one of Jonah Kinigstein’s scathing cartoons back in 2004; responding to the furor over Mel Gibson’s “Passion of the Christ,” Kinigstein had drawn Jesus tossing the movie into a bonfire in front of the White House. “I’d sent it…
1. “Dani Gal: As From Afar,” The Jewish Museum In its United States premiere, Dani Gal’s short video installation addresses the relationship between a Jewish Holocaust survivor/ Nazi hunter and Hitler’s chief architect/armaments minister. This fictionalized story draws from real-life conversations found in letters between the two men. The show compels the viewer to choose…
Anya Rubin, ‘Natalia,’ 2014 Red on black on crimson on white. Repeatedly layered color arrangements are typical in the work of Anya Rubin, especially when the Russian-born and New York-based artist is depicting her friend’s wine-stained lips or glittering eyes on a canvas. In this way, Rubin’s paintings produce interlocking patterns of abstract color studies…
Left: Lee Krasner with Stop and Go, c. 1949 (detail). Photographer unknown. © 2014 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York. Right: Norman Lewis, n. d. Photographer unknown. From the Willard Gallery Archives. Collection of Kenkeleba House. Art © The Estate of Norman W. Lewis, Courtesy of Iandor Fine Arts, New Jersey…
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