My first tattoo, summer of 2010: Woodstock (not the festival, the little yellow bird from the Peanuts) sitting on a unicorn, both characters wishing on a star. It reflects the childlike innocence I hope to maintain. After I got it, I began to understand why people always say they “crave” ink: By the middle of…
The sky is turning orange behind the black trees of Central Park, just like the set I remember from 25 years ago. I’m inside one of the city’s greatest works of art, the park, waiting to see another: the revival of Stephen Sondheim’s “Into the Woods.” I do remember that night in 1987 at the…
George Gershwin was insecure. He never showed it at high-society parties, where he could always be found perched at the nearest piano like a king on his throne. (He played incessantly. Once, when Gershwin wondered aloud if his music would be performed in 100 years, his friend Oscar Levant quipped, “It will be if you’re…
Last night, as a performance of “An Evening with Patti LuPone and Mandy Patinkin” drew to a close, one of those unscripted, magical moments on Broadway unfolded before an appreciative crowd at the Ethel Barrymore Theatre. As the audience cheered wildly and applauded the veteran stars for their musical theater revue of songs from such…
If you happened to see some Jets and Sharks dancing in the middle of Times Square last week, rest assured that you were not hallucinating. The flash mob you saw was a group of New York City dancers performing some moves choreographed by Jerome Robbins for “West Side Story.” The flash mob was organized by…
As the curtain fell after the fourth round of applause for the American Repertory Theater’s highly anticipated and highly controversial revival of “The Gershwins’ Porgy and Bess,” which opened on August 31 in Cambridge, Mass., one couldn’t help but give thanks for George Gershwin and Audra McDonald, who played the female title role. Owing to…
There is exactly one perceptive sentence of dialogue in “Chasing Heaven,” now playing through August 26 at CSV Flamboyan as part of the 15th Annual New York International Fringe Festival. It comes rather late in the proceedings, when the two main characters, in grudging collaboration on a rewrite of a very familiar-sounding piece of iconic…
A notoriously anti-Semitic poet claimed that April is the cruelest month; all the more reason for Manhattanites to sweeten it with delightful classical concerts redolent with Yiddishkeit. On March 29, the Israeli-American violinist Yuval Waldman will perform “Music Forgotten and Remembered” at Merkin Concert Hall, including such rarities as Mieczyslaw Weinberg’s 1952 “Rhapsody on Moldavian…
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