From 2006 to 2011, artist and journalist Leah Kohlenberg lived in a handful of former Soviet countries. While there, a fascination with societies in transition took hold, and she became “obsessed with the wreckage, ruins and signs of life” that she saw in those places, as well as in others she visited. She began to see evidence of both decay and revitalization everywhere. Out of this came “Ruin: Rebirth,” a series of 30 photographs currently on view at Brooklyn’s Hadas Gallery through March 19.
It may be a miracle: A biblically themed exhibit has opened in Brooklyn without any mention of Adam and Eve. This month the new “Genesis” exhibit opened at the Hadas Gallery in Fort Greene. The absence of the imagistic leaf-clad duo on the white walls of the intimate space was a welcomed departure from typical portrayals of the lofty and iconic religious book.
It would be fair to call Jon Axelrod’s paintings synesthetic. They are, after all, visual representations of sound. However, these aren’t the idiosyncratic cross-sense connections of an unfettered mind. His is a willful synesthesia. Axelrod uses science and math to reveal relationships between color, shape and sound. He finds kinship, for example, in the frequency of high-pitched tones and the high-frequency wavelengths of blues and violets.