Lucky Bruce: A Literary Memoir Bruce Jay Friedman Biblioasis, 275 pages $29.95 Bruce Jay Friedman was sent to a charity sleep-away camp in Peekskill, N.Y. each summer. It was sponsored by the Central Jewish Institute and staffed by Israelis counselors. Like most Jews born and bred in the Bronx, Friedman didn’t take well to the…
Crossposted From Under the Fig Tree I’ve been called many things in my day: Jocelyn, Jennifer, Jen, Joselit Weissman and on occasion (and hopefully in jest) even Gender Weissman Joselit, a name designed to highlight my stalwart embrace of feminism in matters large and small. Little wonder, then, that I sympathize with the fate that…
Courtesy of Eve Annenberg Eve Annenberg has finally hit the big time. After experiencing initial difficulties getting “Romeo & Juliet in Yiddish,” shown at Jewish Film Festivals (difficulties owing, in part, to a scene in the film with nudity), the movie premiered in January at the New York Jewish Film Festival, and receives a theatrical…
Courtesy of Riverside Films “He wrote standing up… Standing, walking, running.” So Bel Kaufman, granddaughter of Sholem Aleichem, describes the world’s most influential Yiddish writer. “He would look off into the distance and chuckle, as if hearing what his characters were saying to him, and then he would write.” Joseph Dorman’s new documentary, “Sholem Aleichem:…
Though Sholem Aleichem is widely known for his depictions of Eastern European shtetl life, the famed Yiddish writer spent a number of years living and writing in America. In a new documentary titled “Sholem Aleichem: Laughing in the Darkness,” director Joseph Dorman details the life of Sholem Aleichem, from his early successes to his many,…
A version of this post appeared in Yiddish. The modern period in Yiddish prose began with Yisroel Aksenfeld’s novel “Dos Shterntikhl” (“The Headband”), written some time in the 1820s, which opens with a detailed description of the shtetl “Loyhoyopolie.” The name, which can be translated as “Nosuchville,” is a neologism, made up of the Hebrew…
Rachel Rubinstein looks to the future of Yiddish literature in translation. Jay Michaelson questions the intuitive power of religion. Jenna Weissman Joselit wonders what Cyrus Adler would have thought of contemporary museum going. Gordon Haber gets depressed by Yael Hedaya’s “Eden.” Alexander Gelfand listens to the evolution of Jewish music at the Folksbiene. Philologos goes…
Yesterday I was watching Nightly News with Brian Williams and was surprised to see that Sparky Anderson got a five-minute tribute but Jerry Bock, the beloved composer of “Fiddler on the Roof,” didn’t get a mention. I have a personal stake in this, as I write musicals and often worry about posterity. Mr. Bock leaves…
די טעמע פֿון דער פּראָגראַם, וואָס וועט זײַן אין גאַנצן אויף ייִדיש, איז „ייִדיש אין ראַטן־פֿאַרבאַנד, רומעניע און פּוילן“.
100% of profits support our journalism
