Adolf Konrad, packing list, December 16, 1963. Archives of American Art, Smithsonian Institution.
Beatnik William Burroughs’s dreams, English art critic John Ruskin’s chess moves, and Bob Dylan’s never-ending tour would seem to have little in common.
While Hanukkah preparations and aftermath can overshadow every other human activity in December, ‘tis also the season for classical concerts, especially although by no means exclusively, in the New York area. These can include much Yiddishkayt, despite the seeming omnipresence of Handel’s “Messiah.”
“Roy Lichtenstein: The Black-and-White Drawings, 1961-1968” opens and closes, quite fittingly, with doors. “Knock Knock,” a 1961 drawing, greets visitors entering the single-room exhibition. The title words splay from an all-white door, its shape defined by heavy, even black lines. Short marks indicate the thwap of invisible knuckles. Later, after circling the perimeter, you step into a nook. Inside stands a real, three-dimensional door, the only remnant of Lichtenstein’s full-room installation at the 1967 Aspen Festival of Contemporary Art. Like the drawing, the door is white outlined in black, and a hand has struck, this time leaving a more phonetic NOK!! NOK!!
A few weeks ago, at an absorbing lecture offered as part of the Morgan Library’s “Demons and Devotion: The Hours of Catherine of Cleves” exhibit which opened January 22 and runs through May 2, the art historian James Marrow explained the exquisite imagery found in the 15th-century Dutch illuminated manuscript on view. Included are such Old Testament scenes as The Judgment of Solomon; The Gathering of Manna; and Israelites Eating the Passover Meal. The exquisite exhibit catalog from Abrams Publishers contains these and related images, as well as essays by Marrow and other experts.
On February 7, the George London Foundation will present a special recital at the Morgan Library in New York, with pianist Jeffrey Cohen accompanying singers June Anderson and Sean Panikkar, as prelude to this year’s George London Competition Finals on March 19 also at the Morgan Library.