Skip To Content
JEWISH. INDEPENDENT. NONPROFIT.
Culture

A Lee Krasner Painting Just Sold For $11.6 Million. But Its 1990 Theft Is Still Unsolved.

The great abstract expressionist painter Lee Krasner had no shortage of drama in her life.

Krasner, known for her bold, gestural work, was a celebrated female artist at a time when her field was dominated by men. She continued to stand out at the time of her death in 1984, that year becoming one of a select few women to have ever been honored with a retrospective at the Museum of Modern Art. Beyond her artistic output, Krasner’s life was defined in the public eye by her marriage to another giant of the art world, Jackson Pollock, and his alcoholism, affairs and untimely death in a car crash. Her past inspired Marcia Gay Harden’s Oscar-winning performance in “Pollock” and John Updike’s late career novel “Seek My Face” (2002).

It feels fitting, then, that a piece by Krasner would have also have interesting story to tell — if only canvas could talk.

Krasner’s painting “The Eye is the First Circle” (1960), which broke her auction record by selling for $11.6 million in a Sotheby’s auction this past May, was stolen in a long-forgotten string of New York City art heists in December 1990. A press release from Sotheby’s announcing the painting’s lot had a coy reference to its connection to “three separate burglaries leading up to Christmas 1991.” As Nate Freeman reported for Artsy, this spate of thefts involved four paintings, together worth an estimated $8.3 million in today’s money, all nabbed in the course of a week. Only two of the four paintings have as of yet been recovered.

The thefts began on December 17, 1990, when an unknown burglar took the elevator to the office of art dealer Peter Bonnier’s West 23rd Street gallery. There, the thief found an untitled Willem de Kooning painting from 1962, valued at $750,000. According to a January 1991 recap of the thefts by New York Observer reporter Charles V. Bagli, the thief snagged the de Kooning and disappeared.

Two days later, between the hours of 11:00 am and 6:15 pm on December 19, thieves broke into the East 20th Street home of John Cheim, then the director of Robert Miller Gallery. Cheim had a showroom in his apartment where he would display certain works consigned to or owned by the gallery. The thieves cut “The Eye is the First Circle,” then valued at $1 million, out from its frame, and also snatched David Salle’s painting “Sales Girls” (1983), worth $400,000. The thieves left without bothering to close the door. Freeman reports an insurance company for the gallery offered $50,000 to anyone with information relating to the works’ whereabouts.

On December 21, the last and most curious theft occurred.

A driver carrying Chaim Soutine’s “L’Apprenti” from a framing shop to Beadleston Gallery on East 91st Street stopped mid-route to deliver something to Acquavella Galleries on East 79th Street. While he was inside, an unknown thief entered the truck and sped off with the Soutine.

The timing raised the eyebrows of one insurance investigator on the case, who, as he told Bagli, suspected the thief might have had prior knowledge of when and where the painting was being transported.

The truck carrying the stolen Soutine was found in Harlem a few days after the theft; the painting was gone. The missing de Kooning also never turned up. The Salle was found in 1991, and the Krasner, following an anonymous tip, was subsequently located and restored, then kept in the collection of Robert Miller’s wife Sarah Wittenborn Miller until this summer, when she consigned it to Sotheby’s. The Krasner’s new owners, announced following the auction, are Emily and Mitchell Rales, whose collection is housed in their private museum Glenstone in Potomac, Maryland.

It’s still not known who committed these Christmastime thefts, or if the crimes were, in fact, connected. Given the timing, it’s not impossible that someone was surprised with a masterpiece that holiday season.

PJ Grisar is the Forward’s culture fellow. He can be reached at [email protected]

I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning journalism this Passover.

In this age of misinformation, our work is needed like never before. We report on the news that matters most to American Jews, driven by truth, not ideology.

At a time when newsrooms are closing or cutting back, the Forward has removed its paywall. That means for the first time in our 126-year history, Forward journalism is free to everyone, everywhere. With an ongoing war, rising antisemitism, and a flood of disinformation that may affect the upcoming election, we believe that free and open access to Jewish journalism is imperative.

Readers like you make it all possible. Right now, we’re in the middle of our Passover Pledge Drive and we still need 300 people to step up and make a gift to sustain our trustworthy, independent journalism.

Make a gift of any size and become a Forward member today. You’ll support our mission to tell the American Jewish story fully and fairly. 

— Rachel Fishman Feddersen, Publisher and CEO

Join our mission to tell the Jewish story fully and fairly.

Only 300 more gifts needed by April 30

Republish This Story

Please read before republishing

We’re happy to make this story available to republish for free, unless it originated with JTA, Haaretz or another publication (as indicated on the article) and as long as you follow our guidelines. You must credit the Forward, retain our pixel and preserve our canonical link in Google search.  See our full guidelines for more information, and this guide for detail about canonical URLs.

To republish, copy the HTML by clicking on the yellow button to the right; it includes our tracking pixel, all paragraph styles and hyperlinks, the author byline and credit to the Forward. It does not include images; to avoid copyright violations, you must add them manually, following our guidelines. Please email us at [email protected], subject line “republish,” with any questions or to let us know what stories you’re picking up.

We don't support Internet Explorer

Please use Chrome, Safari, Firefox, or Edge to view this site.