The Arty Semite Guide to Fall’s Classical Music Lineup
Chanteuse Soprano Layla Claire will sing some Schoenberg on October 21. Image by Courtesy of Layla Claire
By Benjamin Ivry September 12, 2011
One poet called autumn the “season of mists and mellow fruitfulness,” but some New York concerts redolent with Yiddishkeit focus on the pleasant shock of the new, not misty mellowness. On September 16 at The Austrian Cultural Forum, a new arrangement of the Adagio movement from Mahler’s unfinished Tenth symphony will be conducted in two concerts by its arranger, Michel Galante.
On the same day at Symphony Space, Manhattanites can also hear Mahler’s poignant Piano Quartet played by the ardent New York Piano Quartet. In the same location, more sprightly listening is available on September 18 when violinist Elmira Darvarova and pianist Joseph Turrin play, among other works, transcriptions by Jascha Heifetz of the music of George Gershwin, and also a jazz-influenced suite, “To Dear Mr. Bach on his Birthday” by Slovak Jewish composer Peter Breiner.
Later that day, also at Symphony Space a group of musicians spearheaded by percussionist Greg Zuber and his wife, flutist Pat Zuber, play the world premiere of “Seven Scenes for Four Flutes” by American Jewish composer William Susman, conducted by Derrick Inouye.
Further contemporary adventures can be had on October 7 at Bargemusic, moored at Fulton Ferry Landing near the Brooklyn Bridge, where “Adagio and Chassidic Dance” by Leon Stein and “Fusions” by Lawrence Weiner, among other pieces, will be performed by The Electrum Duo.
On October 9 at Weill Recital Hall, clarinetist Marguerite Levin, baritone Phillip Collister, and pianist R. Timothy McReynolds will perform “Clarinessence: Five Premieres Inspired by Five Decades” which includes world premieres of works by Allen Feinstein and Joseph Ness, who is of Beth El Temple in West Hartford, Connecticut.
After all this newness, some soothing romantic music may be in order and on October 13 at Carnegie Hall, the Orpheus Chamber Orchestra plays a program which includes The Fair Melusina Overture by Felix Mendelssohn; what’s more, Gil Shaham will be soloist in Brahms’s Violin Concerto. The day after that, at the same storied venue, The New York Pops led by Jack Everly presents a jaunty program devoted to tunes by Irving Berlin. Then it’s back to moderns on October 21 at Weill Hall, when lovely Canadian soprano Layla Claire in her New York recital debut and pianist Natalia Katyukova play a program of songs which includes two “Cabaret Songs” by Arnold Schoenberg, “Gigerlette” and ‘Galathea,” as well as music by the Argentinian Jewish composer Osvaldo Golijov. Such a panoply of novelty leaves little time for sighing nostalgically over autumn leaves.
Watch Jascha Heifetz play one of his transcriptions of the music of Gershwin.
Listen to Elly Ameling introducing and singing Schoenberg’s sprightly “Gigerlette.”
A message from our CEO & publisher Rachel Fishman Feddersen
I hope you appreciated this article. Before you go, I’d like to ask you to please support the Forward’s award-winning, nonprofit journalism during this critical time.
At a time when other newsrooms are closing or cutting back, the Forward has removed its paywall and invested additional resources to report on the ground from Israel and around the U.S. on the impact of the war, rising antisemitism and polarized discourse..
Readers like you make it all possible. Support our work by becoming a Forward Member and connect with our journalism and your community.
— Rachel Fishman Feddersen, Publisher and CEO
