Anti-Biennial in Herzliya

Graphic by Angelie Zaslavsky
Crossposted from Haaretz
The third Herzliya Biennial of Contemporary Art, which opens this week, challenges every expectation of the urban biennial art event: It does not strive for grandiose dimensions, it does not boast virtuoso works that celebrate art, and as a whole, it is not a celebration at all.
“Second Strike,” curated by Ory Dessau, appears to reverse traditional roles and resists imposing its thesis on the artists whose work it features. They in turn dismantle the proposed thesis and continuously reconstruct it all over again, differently each time.
Herzliya has been sleepy in the days leading up to the biennial opening. Scattered about the city are signs announcing the event, and the difference between this biennial and the previous one is evident in the works of the Picnic group, which focused on a colorful, visual celebration.
Why I became the Forward’s editor-in-chief
You are surely a friend of the Forward if you’re reading this. And so it’s with excitement and awe — of all that the Forward is, was, and will be — that I introduce myself to you as the Forward’s newest editor-in-chief.
And what a time to step into the leadership of this storied Jewish institution! For 129 years, the Forward has shaped and told the American Jewish story. I’m stepping in at an intense time for Jews the world over. We urgently need the Forward’s courageous, unflinching journalism — not only as a source of reliable information, but to provide inspiration, healing and hope.
— Alyssa Katz, editor-in-chief
